The Dave & Jean Acker collection of colorful Fluid Lamps.

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The Dave & Jean Acker

Collection of Colorful Fluid Lamps

I remember, as a child, all of the decorative oil lamps at my grandparents Meyer house in Baltimore, Maryland. One night my father gathered them all up and compared all of the lamps. I  still remember that night. Since then, I have not seen as many great oil lamps together as this collection now online at the Glass Works Auction #96 “Cabin Fever” auction that closes tomorrow.

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228 (above) – Markham Swirl Band Pattern Fluid Finger Lamp, (Oil Lamps by Thuro pg. 280, H), American, ca. 1895 – 1910, clear glass with white opalescent swirl pattern, 3 1/2”h, original ‘P.& A. Mgf. Co. / Waterbury, Conn. – Eagle’, burner and scalloped edge glass chimney. A 3/4” long stress crack extends from the lower handle attachment into the body. The Dave & Jean Acker Collection.

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229 (left above) – Coin Spot Pattern Fluid Lamp, (Oil Lamps by Thuro pg. 152), American, ca. 1895 – 1910, turquoise blue glass font with white opalescent coin spot pattern, turquoise blue pressed glass base, 9 1/2”h, original ‘Pat Applied, 10, 1877’ burner and scalloped edge glass chimney. A flat 1/4” by 1/8” in size chip is in the side of the base where it meets the font, otherwise in perfect condition. The Dave & Jean Acker Collection.

230 (center above) – Coin Spot Pattern Fluid Lamp, (Oil Lamps by Thuro pg. 152), American, ca. 1895 – 1910, turquoise blue glass font with white opalescent coin spot pattern, turquoise blue pressed glass base, 8 1/4”h, original ‘English Made MN,’ burner and scalloped edge glass chimney, Excellent condition. Identical to lamp 229 but in a smaller size. The Dave & Jean Acker Collection.

231 (right above) – Coin Spot Pattern Fluid Lamp, (Oil Lamps by Thuro pg. 152), American, ca. 1895 – 1910, clear glass font with white opalescent coin spot pattern, yellow amber pressed glass base, 9 1/2”h, original ‘No 2 Queen Anne No 2’ burner and scalloped edge glass chimney. An in manufacturing glass flaw is located on the top of the font. The Dave & Jean Acker Collection.

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232 (left above) – Coin Spot Pattern Fluid Lamp, (Oil Lamps by Thuro pg. 152), American, ca. 1895 – 1910, clear glass font with white opalescent coin spot pattern, clear glass pressed glass base, 7 1/2”h, original unmarked burner and scalloped edge glass chimney. Excellent condition. The Dave & Jean Acker Collection.

233 (center above) – Shell & Swirl Pattern Fluid Lamp, American, ca. 1890 – 1910, cranberry red rib swirl pattern font with white opalescent swirl pattern, attached to a clear glass shell pattern base, 9 1/4”h, original unmarked burner and clear glass scalloped chimney. Excellent condition. The Dave & Jean Acker Collection.

234 (right above) – Shell & Swirl Pattern Fluid Lamp, American, ca. 1890 – 1910, yellow amber rib swirl pattern font, attached to a black glass shell pattern base, 8 1/4”h, original ‘Eagle’ burner and clear glass scalloped chimney. A 1/2” by 3/16” in size chip is off the edge of the base, otherwise in excellent condition. The Dave & Jean Acker Collection.

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235 (left above) – Shell & Swirl Pattern Fluid Lamp, American, ca. 1890 – 1910, cranberry red rib swirl pattern font with white opalescent ribs, attached to a clear glass shell pattern base, 8 3/4”h, original unmarked burner and clear glass scalloped chimney. Excellent condition. The Dave & Jean Acker Collection.

236 (center above) – Shell & Swirl Pattern Fluid Lamp, American, ca. 1890 – 1910, clear glass rib swirl pattern font with white and cranberry opalescent splotch pattern, attached to a clear glass shell pattern base, 7 1/2”h, original unmarked burner and clear glass scalloped chimney. A 1 1/4” long vertical stress crack is located at midpoint in the font, otherwise in excellent condition. The Dave & Jean Acker Collection.

237 (right above) – Shell & Swirl Pattern Fluid Finger Lamp, American, ca. 1890 – 1910, turquoise blue rib swirl pattern font with white opalescent ribs, attached to a clear glass base, 5 1/2”h, original ‘Queen Anne’ burner and clear glass scalloped chimney. Excellent condition. The Dave & Jean Acker Collection.

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238 (above) – Shell & Swirl Pattern Fluid Lamp, American, ca. 1890 – 1910, (Oil Lamps by Thuro pg. 235), clear glass rib swirl pattern font and center section both having white opalescent rib patterns. Both sections are connected by a brass center piece with the entire assembly mounted on a fancy metal base, 12 1/2”h, original frosted glass shade has a farm scene decoration of cows, trees, dwellings and a farmer, original unmarked burner and clear glass chimney. This one’s different! The Dave & Jean Acker Collection.

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239 (above) – Snowflake Pattern Fluid Lamp, American, ca. 1890 – 1910, clear glass rib pattern font with white opalescent ‘snowflakes’, brass standard connects the font to a clear glass base, 8 1/2”h, original ‘Queen Anne’ burner and clear glass scalloped chimney. Excellent condition. The Dave & Jean Acker Collection.

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240 (above) – Snowflake Pattern Fluid Lamp, American, ca. 1890 – 1910, clear glass rib pattern font with white opalescent ‘snowflakes’, brass standard connects the font to a clear glass base, 9 1/4”h, original ‘Banner’ burner and clear glass scalloped chimney. Excellent condition. The Dave & Jean Acker Collection.

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241 (above) – Jensen Pattern Fluid Lamp, American, ca. 1890 – 1910, Vaseline font with white opalescent vertical rib strips, connected to a clear frosted glass base, 7 3/4”h, original ‘Queen Anne’ burner and clear glass scalloped chimney. Excellent condition. The Dave & Jean Acker Collection.

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242 (above) – Alva Rib Band Pattern Fluid Lamp, (Oil Lamps by Thuro pg. 271, J), American, ca. 1890 – 1910, turquoise blue font with white opalescent vertical rib strips connected to a frosted clear glass base, 7 3/4”h, original ‘Rayo, No. 1 Queen Anne’ burner and clear glass scalloped chimney. Excellent example. The Dave & Jean Acker Collection.

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243 (left above) – Eason Pattern Fluid Lamp, American, ca. 1890 – 1910, clear glass font with white opalescent pattern attached to a black glass base, 8 1/2”h, original unmarked burner and clear glass scalloped chimney. Excellent condition. The Dave & Jean Acker Collection.

244 (center above) – Eason Pattern Fluid Lamp, American, ca. 1890 – 1910, turquoise blue glass font with white opalescent pattern attached to a clear glass base, 8 1/2”h, original unmarked burner and clear glass scalloped chimney. Excellent condition. The Dave & Jean Acker Collection.

245 (right above) – Coin Spot Pattern Fluid Lamp, (Oil Lamps by Thuro pg. 152), American, ca. 1895 – 1910, clear glass font with white opalescent coin spot pattern, turquoise blue pressed glass base, 9 1/2”h, original burner and scalloped edge glass chimney, about perfect (several minor inside edge of base chips). The Dave & Jean Acker Collection.

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246 (above) – Hobbs Coin Spot Pattern Fluid Lamp, (Oil Lamps by Thuro pg. 152), American, ca. 1895 – 1910, clear class with white opalescent design font attached to a clear glass base, 9 1/2”h, original ‘No. 2 Queen Anne’ burner and scalloped edge glass chimney, perfect condition. The Dave & Jean Acker Collection.

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247 (above) – Hobbs Coin Spot Pattern Fluid Lamp, (Oil Lamps by Thuro pg. 152), American, ca. 1895 – 1910, cranberry red with white opalescent design font attached to a clear glass base, 9 1/4”h, original ‘No. 2 Queen Anne’ burner and scalloped edge glass chimney, about perfect (tiny edge of base flake). The Dave & Jean Acker Collection.

About Ferdinand Meyer V

Ferdinand Meyer V is a native of Baltimore, Maryland and has a BFA in Fine Art and Graphic Design from the Kansas City Art Institute and School of Design. Ferdinand is the founding Principal of FMG Design, a nationally recognized design consultation firm. Ferdinand is a passionate collector of American historical glass specializing in bitters bottles, color runs and related classic figural bottles. He is married to Elizabeth Jane Meyer and lives in Houston, Texas with their daughter and three wonderful grandchildren. The Meyers are also very involved in Quarter Horses, antiques and early United States postage stamps. Ferdinand is the past 6-year President of the Federation of Historical Bottle Collectors and is one of the founding members of the FOHBC Virtual Museum.
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