Vintage Indian Queen, Princess & Maiden Advertising

Vintage Indian Queen, Princess & Maiden Advertising

28 September 2012

Apple-Touch-IconAWell I took a left turn today as I finished up the Indian Queen Series. I have to say, I was a bit disappointed that I could not find any advertising for the Browns, Mohawk, Pharazyn, Longs or Kansas City Queens. I did however come across some wonderful Indian Queen, Princess and Maiden advertising which I have reposted below. Wouldn’t it have been great if I could find an old black & white illustration similar to the Mazola corn girl below.

Detail from Mazola Oil Ad With Indian Maiden Circa 1920

INDIAN QUEEN • PRINCESS • MAIDEN

Advertising Gallery

(left) Vintage Indian Valentine card, (Right) Winter Haven Fruit Sales Corporation, Winter Haven, Florida

The beautiful Indian maidens, promotional poster, ca. 1899. The beautiful Indian maidens. Promotional poster printed by the Enquirer Job Printing Co., Cincinnati, Ohia, ca. 1899. – flickr

Vintage Land O’Lakes Sweet Cream Butter Metal Tray, Land O’Lakes was founded in 1921 in Minnesota by representatives from 320 co-op creameries to improve marketing and quality of butter. In 1924 the uniformly graded sweet cream butter was given the name Land O’Lakes. The Land O’Lakes Indian Maiden holding a butter box was first painted in 1928 by Arthur Hanson. – Etsy

Rare and wonderful, original ca1905 John Wieland Brewing Company (San Francisco, California), Pre-Prohibition, Tin Lithographed Advertising Serving Tray with a Western Americana image of a beautiful, young Native American Indian Maiden. This wonderful, Tin Litho Beer Tray measures 13″ in diameter and features an image of the young Indian woman wearing a fringed, buckskin tunic and beaded leather shoulder strap. Text at the top and the bottom of the raised rim reads “Wieland’s / Extra Pale Lager” and text to the right of the woman reads “A Western Product”. The Tray carries the mark of the manufacturer – “Copyright by Kaufmann & Strauss Co. N.Y.” – eBay

Western Queen Brand – Rialto Orange Co. Rialto, San Bernardino, California

Indian Queen Root Beer. Indian Queen started in 1927 and this cap is probably from that era. – flickr

Osota Cigar Box Advertising Label

This handsome small trade card is for Indian Queen Perfume by Bean & Brother of Philadelphia. It’s an image of a Native American woman gathering nectar from a flower in a seashell. – eBay

Indian Queen Root Beer – for only 5c

Indian Queen Ale – Brewed by John Hohenadel Brewery, Philadelphia, PA, Slogan: “We Earned Supremacy” – Indian Country

BROADWAY, Indian Girl Cigarettes, Vintage postcard published in Denmark by the American Tobacco Co.,

Kakabeka Cream Lager brewed by Kakabeka Falls Brewing Co., Ft. William, Ontario, Canada – Indian Country

Leinenkugel’s Chippewa Pride brewed by Jacob Leinenkugel Brewing Company, Chippewa Falls, Wisconsin, Slogan: Made with Chippewa water from the Big Eddy Springs” – Indian Country

Indian Maiden Playing Card – eBay

Hohenadel Indian Queen Ale – 4″R – 1/0 – red/yellow/black – Indian head with a large arrow – Pennsylvania Beer Coaster Guide

Indian Queen Advertisement for Hamburg Broom Works – Corbis

Indian Brave Chief and Indian Maiden Florida Orange Fruit Label – Jacksonville – Etsy

Arizona Citrus Fruit Crate Label Art Yuma Arizona Sweetest of Sweet Indian Maiden Grapefruit Label Advertising

1918 Advertisement for the Indian Queen Hotel, Stroudsburg, PA – eBay

A wonderful vintage Thanksgiving postcard showing a lovely Indian Maiden holding up a white turkey and also holding a bowl of apples. This is done by the artist Schmucker, but unsigned. Design copyright by John Winsch 1912. – eBay

Yakima Valley Apples – Shipped by Inland Fruit Company, Wapato, Washington

Graphically striking and unused c. 1912 postcard of Miss Spokane, the symbol of Spokane, WA. Artist Eleanor Gaddis drew the design for the Spokane Advertising Club, a group of Spokane businessmen who sponsored the first Miss Spokane contest as a means to promote the city. In March 1912, they picked 17-year-old Marguerite Motie (1895-1982) as Miss Spokane, the city’s first official hostess. The smiling Motie is seen here with grain falling from one hand and water spilling from a jug in her left hand, intended to depict the area’s bounty. The card reads: “Typifying Determination, Vigor and the boundless Resources of the Inland Empire.” Motie served as Miss Spokane until 1939, when the Chamber of Commerce assumed sponsorship of the contest; the city symbol was retired in 1977, as the use of Indian mascots became controversial.

1949 Green Giant Ad Indian Maiden Theme New Pack’s In – eBay

November 1955 calendar page by Earl Moran. With a cute redhead, sitting with her legs crossed and arms crossed over her breasts, wearing a loin cloth and head dress. Caption reads, “Her teepee is lonely, her campfire is small. this maid needs a warrior dark, handsome and tall.” Measures 8-1/2 x 14-1/2″, in near mint condition. Advertising Automotive Equipment Co., Inc. 123-127 Hudson St., Newark 3, N.J., with other branches in Plainfield, N.J. Hackensack, N.J. and Middletown, N.Y. Printed by Brown & Bigelow, St. Paul, MN, U.S.A. – eBay

Post-Prohibition Beer Distributor Calendar – This little lady was originally published in the buff, but the lithographers added sheer clothing using crayon to make her image a bit more family friendly. – antiquebottledepot.com

Posted in Advertising, Ales & Ciders, Art & Architecture, Bitters, Breweriana, eBay, Ephemera, Figural Bottles, History, Root Beer, Trade Cards | Tagged , , , , | 2 Comments

The Indian Herb Bitters Prepared by Drs Dickerson & Stark

THE INDIAN HERB BITTERS

aka ‘Kansas City Queen’

PREPARED BY DRS DICKERSON & STARK

27 September 2012 (R•101515) (R•031716)

Apple-Touch-IconAFirst of all, I have written about this special queen before (Read: Ladies & Gents…The Kansas City Queen) as it was an incredible story earlier this year. Now I want to circle back with some cleaned up pictures and comparison images (see above) and thoughts related to the Browns, Pharazyn, Mohawk and Long Queens (pictured above). This will also be the last of the ‘Queen’ series though there are other ‘knock off’ and later reproductions and facsimiles of the form.

Again I am thinking that this bottle was made by the same glass makers of the other queens and the proprietors were tagging on to the popularity of the Brown’s Celebrated Indian Herb Bitters put out by Neal Brown in Philadelphia. Just conjecture but probably made at the Whitney Brothers Glass Works.

The bottle has the same form as the Mohawk and Pharazyn Queens which means a high shield in one arm and the sword in the opposite hand. There is an abundance of copy on the shield and dress of the Indian making for quite a self contained marketing piece. Only two examples are known to exist.

What is most puzzeling to me is the embossed copy reading ‘MEDICAL & SURGICAL INSTITUTE  KANSAS CITY MO’ and ‘SEND FOR OUR ILLUSTRATED MEDICAL JOURNAL IT WILL BE SENT FREE TO ANY ADDRESS’. I have found some great information on D’Estaing Dickerson that really sheds light on this product.

The Carlyn Ring and W.C. Ham listing in Bitters Bottles is as follows:

I-18  THE INDIAN HERB BITTERS aka ‘Kansas City Queen’
THE / INDIAN / HERB BITTERS / PREPARED BY / DRS DICKERSON / & STARK / MEDICAL & / SURGICAL / INSTITUTE / KANSAS CITY / MO // SEND FOR OUR ILLUSTRATED MEDICAL JOURNAL / IT WILL BE SENT FREE TO ANY ADDRESS //
12 3/8 x 3
Figure of Indian queen, Amber, SCM, Extremely rare
Kansas City Directory 1886; John Stark and D’Estaing Dickerson, 427 Delaware Ave.
KC_Queen_Atchison_Daily_Patriot_Wed__Dec_24__1879_

Advertisement for Indian Herb Bitters by Dr. Stark – Atchison Daily Patriot, December 24, 1879

Read: Surgical Institute Bitters

Dr. D’Estaing Dickerson

Dr. D’Estaing Dickerson, a physician in Kansas City born in New York in 1835 and formerly serving as the “surgeon-in-charge of the Sing-Sing prison hospital,” arriving in Kansas City in the 1870s and co-founding the Western Medical and Surgical Instiute.

D’estaing Dickerson, Surgeon, 1st New York Cavalry (Union). c 1880 photo Thomson, Kansas City, Missouri – Missouri History Museum

Albany medical annals. Albany, N.Y.

Kansas City Directory 1875; D’ Estaing Dickerson, 409 Delaware Ave. residence 1510 Main Street

D’ Estaing Dickerson obiturary The

Dr. John Stark

John Stark M.C. Obituary – The Kansas City medical index-lancet, Volume 23

Read More: Looking closer at the Brown’s Celebrated Indian Herb Bitters

Read More: H. Pharazyn Indian Queen – Philadelphia

Read More: Mohawk Whiskey Pure Rye Indian Queen

Read More: E. Longs Indian Herb Bitters

Read More: Why do we call the bottles the ‘Indian Queen?’

Read More: The Rubenesque Queens

Read More: Barrel series – Original Pocahontas Bitters

Looking up at THE INDIAN HERB BITTERS ‘Kansas City Queen’ – Anonymous Collection

THE INDIAN HERB BITTERS ‘Kansas City Queen’ with abundant text THE INDIAN HERB BITTERS PREPARED BY DRS DICKERSON & STARK MEDICAL & SURGICAL INSTITUTE KANSAS CITY MO fitting entirely on the shield – Anonymous Collection

THE INDIAN HERB BITTERS ‘Kansas City Queen’ with support text SEND FOR OUR ILLUSTRATED MEDIAL JOURNAL IT WILL BE SENT FREE TO ANY ADDRESS fitting on the back dress of the Queen – Anonymous Collection

Applied mouth detail on the THE INDIAN HERB BITTERS ‘Kansas City Queen’. Most closely approximating the mouth detail on the E. Longs Queen – Anonymous Collection

Bottom of bottle detail on the THE INDIAN HERB BITTERS ‘Kansas City Queen’. Most closely approximating the Mohawk and Pharazyn Queens – Anonymous Collection

Hand and sword detail on the THE INDIAN HERB BITTERS ‘Kansas City Queen’. Most closely approximating the Mohawk and Pharazyn Queens – Anonymous Collection

Base detail on the THE INDIAN HERB BITTERS ‘Kansas City Queen’ – Anonymous Collection

Posted in Bitters, Civil War, Figural Bottles, History, Medicines & Cures | Tagged , , , , , , , , , , | 6 Comments

Just some neat pictures of Ships in Bottles

SOME NICE PHOTOGRAPHS

I do not know what got me charted in this direction yesterday but here I am. Just some neat pictures and photography of a Ship in a Bottle. Looks like an interesting hobby combining history and bottles.

An antique map provides a backdrop for a ship in a bottle – photo Todd Gipstein

Ship in a bottle The SEUTE DEERN – Dimensions of the bottle: Length 48 cm, width 27 cm, height including stand 30 cm. The SEUTE DEERN was built in 1919 at the Gulfport Shipyard in Mississippi, USA. She was owned in sequence by several owners, as wood transporter and freighter, until she came in 1972 to the German Maritime Museum (Deutsches Schiffahrtsmuseum) in Bremerhaven. – FineModelShips.com

Ship in a bottle on a beach

By now you have probably figured out how they get a ship with paper sails in a bottle but this is a bit trickier. A Glass ship in a bottle. Measures about 8″ long including the cork – Etsy

Ship in a Bottle – credit: mharrsch

The schooner DOS AMIGOS. The DOS AMIGOS was a US slaver that was rigged as a brigantine schooner. Like most slave ships she was a very fast ship. In 1830 she was captured by the British Royal Navy and refitted as a anti-slave patrol vessel. From that time, 1832, a complete set of actual design plans have survived. – FineModelShips.com

Joe Barr has been building ships-in-bottles since the mid-1980s. He specializes in Great Lakes vessels. – Joe Barr

This is more than just a ship in a bottle, this pinch bottle contains an entire story. Shown is the ship builder at work constructing an even smaller ship in a bottle. The figure is carved in several pieces which are inserted into the bottle and assembled as is the table and other items too big to fit through the neck. The entire scene includes 52 separate pieces. – Philip T. Mattson

Ship in a decorative bottle – credit: Roni G

Antique nautical ships model in bottle.This “ship in a bottle” was made at the turn of the 19th century. This ship in bottle is quite unusual because it shows houses in the back ground which are along the cruise route. This cruise ship in a bottle is in excellent condition and measures 9 inches long.

Pride of Baltimore w/Stand (1/2 Gallon Bottle) 157 ft, Beam: 26 ft, Draft: 12 ft. Launched in 1988, the Pride II is Maryland’s goodwill tall ship ambassador. Designed by Thomas Gillmer, she is modeled after the Baltimore Clippers used during the 1812 War.

This Ship In a Bottle can probably cross the Atlantic. Some people will call this 1/30th replica of Admiral Nelson’s flagship Victory—to be displayed in Trafalgar Square, London. (see below) – Gizmodo

This giant ship in a bottle artwork in Trafalgar Square, London, by Yinka Shonibare commemorates Nelson’s victory at the Battle of Trafalgar.

Revenue Cutter c 1818. The model is presented in a 500 ml Schott bottle is shown under sail on the starboard tack. Solid planked-over hull construction using cherry, pear, boxwood, apple, bamboo and ebony. Accurate rigging of nylon, set sails of paper, decking drawn. The model is a natural finish and set in a blue plasticine sea. – Bernd Braatz

Tiny Viking Ship is in a tiny bottle – Etsy

12.5 inch bottle, ship is 6 inch and 4 masted – Captain Steve

Perrier ship in bottle vntage advertising 1974 – Etsy

Ship in a bottle: credit: delphaber

Ship In A Bottle by Vera Kratochvil

This is the Cutty Sark Ship in a Bottle

Posted in Art & Architecture, Ephemera, Folk Art, History, Humor - Lighter Side, Miniatures, Museums, Photography, Spirits | Tagged , , , , , , , , , , , , , , , , , | Leave a comment

The Rubenesque Queens

The Rubenesque Queens


The Rubenesque Queens

27 September 2012

Apple-Touch-IconAI suppose I have not really focused on the voluptuous and full form of the Queens I have written and posted about lately as I have been looking more closely at the mold variations and symbology. I mean, they are bottles and in the end they need to be filled with Bitters or Whiskey and sold, so you have to make the form hold the product. A ‘skinny’ queen would not work right? Also look at all the early Indian pictures and paintings such as Pocahontas (above left) and He-Nu-Kaw (above right), and try to find a skinny or ‘all bones’ Indian. Good luck.

A comment on facebook regarding the side view of a Queen (which we rarely display or picture in catalogues) said “She is fat”. This amused me so I looked at the profile picture (see above) and I do see a full and ample derriere, buttocks, Du-pah-pah (as a Cajun girlfriend in college said), tush, booty or caboose etc. I guess it does remind me of the ample proportions of Barbi Dolls too when you really get down and think about it.

Well…with tongue firmly planted in cheek, I do this post to salute the gorgeous, beautiful and full-bodied Queens. This allows me a chance to go back and look at Peter Paul Rubens and others like Fernando Botero and their wonderful paintings.

Peter Paul Rubens (From Wikipedia, the free encyclopedia) Born 28 June 1577, Siegen, Westphalia (modern-day Germany) Died 30 May 1640 (aged 62) Nationality Belgian.

His fondness of painting full-figured women gave rise to the terms ‘Rubensian’ or ‘Rubenesque’ for plus-sized women. The term ‘Rubensiaans’ is also commonly used in Dutch to denote such women.

The Three Graces, by Peter Paul Rubens, circa 1635, oil on canvas

Sir Peter Paul Rubens (28 June 1577 – 30 May 1640), was a Flemish Baroque painter, and a proponent of an extravagant Baroque style that emphasised movement, colour, and sensuality. He is well known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.
In addition to running a large studio in Antwerp that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, King of Spain, and Charles I, King of England.

Rubens Venus at a Mirror c1615

Rubens was a prolific artist. His commissioned works were mostly religious subjects, “history” paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635.

Adam and Eve – Peter Paul Rubens

His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms ‘Rubensian’ or ‘Rubenesque’ for plus-sized women. The term ‘Rubensiaans’ is also commonly used in Dutch to denote such women.

Peter Paul Rubens: Venus and Adonis

Read More: Looking closer at the Brown’s Celebrated Indian Herb Bitters

Read more: Amethyst Indian Queen Found in Seattle

Read More: H. Pharazyn Indian Queen – Philadelphia

Read More: Mohawk Whiskey Pure Rye Indian Queen

Read More: E. Longs Indian Herb Bitters

Read More: The Indian Herb Bitters Prepared by Drs Dickerson & Stark

Read More: Why do we call the bottles the ‘Indian Queen?’

Read More: Barrel series – Original Pocahontas Bitters

R U B E N E S Q U E    Q U E E N    

G A L L E R Y

Posted in Advice, Art & Architecture, Bitters, Figural Bottles, Humor - Lighter Side, Whiskey | Tagged , , , , , , , , | Leave a comment

E. Longs Indian Herb Bitters

E. LONGS INDIAN HERB BITTERS


Apple-Touch-IconAE. Longs Indian Herb Bitters

26 September 2012 (R•052714)

So far in this rather limited figural ‘Queen’ series, we have looked the Brown’s Celebrated Indian Herb BittersH. Pharazyn ‘Queen‘, and the Mohawk Queen.

Today we will look at the E. Longs Indian Herb Bitters ‘Queen’ which is found (assuming you can find) in shades of amber. Specimens of all four Queens are pictured above. You would have to suspect that these bottles were all made in the Northeast and that the proprietors all knew of the other brands as the molds are so similar. Even the names are similar in that the word ‘Herb’ is used in the Brown’s and Longs name and related possibly to the maker of the Pharazyn Queen.

You will also notice that the E. Long ‘Queen’ has a mold similar to the other ‘Queens’ but is actually different upon closer inspection. The arm is crossed and the shield is low with the product embossing on the face of the shield. This makes this mold unique. There is also an applied mouth on both of the examples I have seen. Additionally, the body is 1/2 inch shorter than the Brown’s Indian Queen with a small variation in the fringe. Yes, I said both. There are two examples that I am aware of and I have pictured both in this post. I suspect there may be a few more specimens squirreled away deep in collections but they have not surfaced. You hardly ever get to see this great bottle.

The Carlyn Ring and W.C. Ham listing in Bitters Bottles is as follows:

 

L 119  E. LONGS INDIAN HERB BITTERS
E. LONG’S / INDIAN HERB BITTERS // c //
12 x 3 1/4
Indian Queen, Amber, NSC, Applied mouth, Very rare (should be extremely rare)
Body 1/2 inch shorter than Brown’s Indian Queen. Also small variation in the fringe.

Read More: Looking closer at the Brown’s Celebrated Indian Herb Bitters

Read more: Amethyst Indian Queen Found in Seattle

Read More: H. Pharazyn Indian Queen – Philadelphia

Read More: Mohawk Whiskey Pure Rye Indian Queen

Read More: The Indian Herb Bitters Prepared by Drs Dickerson & Stark

Read More: Why do we call the bottles the ‘Indian Queen?’

Read More: The Rubenesque Queens

Read More: Barrel series – Original Pocahontas Bitters

E. LONGS INDIAN HERB BITTERS represented in the famous Carlyn Ring Collection Sale

E. LONGS INDIAN HERB BITTERS resided in the famous John Feldmann Collection. John purchased the Carlyn Ring example pictured above.

E. LONGS INDIAN HERB BITTERS Medium amber in base shading to yellow amber in arms and
shoulder. Acquired from Don Keating collection via Ed Gray. Same one sold 09/97 Glass Works. Purchased in December 2004 – Meyer Collection

E. LONGS INDIAN HERB BITTERS  – Meyer Collection

E. LONGS INDIAN HERB BITTERS – Meyer Collection

E. LONGS INDIAN HERB BITTERS – Meyer Collection

L119_E_Longs_BBS

E. LONGS INDIAN HERB BITTERS (Ex Carlyn Ring & John Feldmann – Bitters Bottles Supplement

Posted in Bitters, Collectors & Collections, Figural Bottles | Tagged , , , , , | Leave a comment

Class of 1846 – West Point Bottle

Detail photograph of embossed seal and shield – ‘CLASS OF 1846 W’ – Richter Collection

Class of 1846 – West Point Bottle?

This gentleman told me that it is indeed documented in a cadet memoir that the father of one of the cadets supplied liquor for the graduation party which they called “Fandango.”

[Fascinating incoming email and bottle. Jim Schmidt…you out there? Editor: A few pictures have been added to illustrate the email further.]

Hi Ferdinand,

I wrote you back in June in reference to a blown mug in which you, and your ability to network to all the right people, were an invaluable help to me. This time, I have something a tad more interesting than any ‘ol mug.

I acquired this fascinating bottle from the late Tom Hartz Collection auction at Glass Works and was hoping you could help me with a “Roll Call,” to see how many are out there, if anyone has an example and what they know about theirs. Right now I know of only four including my example. One is pictured in McKearin’s “Bottles, Flasks, and Dr. Dyott,” page 119, Plate 9, number 1. That example was in the notorious Charles Gardner Collection, and as far as what college or school, McKearin simply stated unknown. She was more interested in bottle types and their makers than who may have commissioned them.

The second one is in the City of Port Isabel Museum, Port Isabel, Texas, and belongs to a gentleman who owns sixty percent of the Mexican American War Collection displayed there. He acquired his example from the late Ruth Contu some 20 years ago. (It is unknown if she got it from the famous Galloway collection, but possible.) She did sell it stating it was a West Point bottle. This gentleman told me that it is indeed documented in a cadet memoir that the father of one of the cadets supplied liquor for the graduation party which they called “Fandango.” I surmise the name came from the fact that they knew they were off to fight in the Mexican War which had broken out that year. Of course West Point would have never have commissioned these bottles themselves, nor allowed the drinking of whiskey on their institution grounds. If any College or School had commissioned these, you would see examples from different years show up, but that hasn’t happened. For sure, this was a one time commission of an unknown number of these bottles from Dyottville Glass Works from a private individual or family. This is the only date and type and the color always matches from what I’ve seen thus far. If you google image: West Point Class of 1846 graduation party bottle (without quotes,) you will see two pictures of the bottle listed in the University of Texas Brownsville repository with links to the Port Isabel Museum. An interesting fact is that Museum stands on the grounds where General Zachary Taylor had his men dig a well when they were encamped there. In those days it was called “Point Isabel.”

I am currently reading “Class of 1846” by John Waugh (pictured above) and I am hoping to locate the memoir within it’s bibliography. (Or simply call my new bottle friend in Port Isabel, Texas and have him scratch his chin a bit harder to remember the memoir he read years ago to keep me from the endless buying and reading of obscure memoirs until I find it.) I feel, given time, I can prove the provenance without a doubt, right now, I could use a little help to see if there are any other examples out there and what their owners have to say.

If you google: Dyottville Class of 1846 bottle, Worthpoint shows a 2007 eBay auction, now that is my example, that ended up in the late Tom Hartz collection. Undeniably, as I have noted the identical chip on the seal and identical bubbles and characteristics, etc. It is the same bottle beyond all doubt. Also showing up on that google search is the third one, a picture of one from Heckler’s, that example I have no information on. That comprises the four that I can locate. (The one in my kitchen window is easy 😉 It could be possible that the Gardner example could have ended up in the Port Isabel collection as the gentleman has many Ex McKearin bottles as well and again, it remains unknown where Ruth Contu acquired it. I expect more to come out of the woodwork, I think more than four survived and am hoping to see and hear what their owners have to say.

The West Point Class of 1846 Graduating just as the Mexican War began, fifty-three of the fifty-nine member of this class (the largest in the Academy’s history to that time) fought in Mexico. Four of them lost their lives there. Two more were killed fighting Indians in the 1850s. Ten members of that class became Confederate generals; twelve became Union generals; three of the Confederates and one of the Unionists were killed or mortally wounded in action during the Civil War. The following is a list of some of those generals. – American Civil War

The West Point Class of 1846 was the largest class in the institution’s 44 year history at that time; 59 cadets graduated, 10 went on to become Union Generals, 12 became Confederate Generals. Second in that class was none other than George B. McClellan. Interestingly, Thomas “Stonewall” Jackson struggled from year one, almost failing out, yet painstakingly achieved 17th in ranking in that class. Curiously, last in that class, was none other than George E. Pickett, whose name is a tad familiar in the Gettysburg area. Those are the 3 biggest “Household” names from the Class of 1846. My personal opinion is that the father who did the providing of the bottles of whiskey was that of a more well to do cadet, and Crittenden comes to mind as his father was a Senator in New York at the time. Knowing exactly which family or father would be quite amazing. Interesting to note that McClellan hails from Philadelphia.

I have very little doubt as to the provenance and these bottles being what they are. Even if six dozen, a hundred, or possibly a full gross were ordered from Dyottville, the survival rate is logically ten percent, likely less. I am very curious to know if anyone in the FOHBC bottle collecting world can add anything to the current existing knowledge, especially if one has an example and can share their knowledge of it. Ruth Contu knew, the gentleman in Texas knows, I know, but somehow, this bottle has remained very low on the bottle collecting radar screen as it’s usually described as “Rumored to the the 1846 graduating class of Harvard.” That being said, Harvard does not begin with a “W” nor did Harvard have a Federal Shield which points directly at this being a Federal, or Military School. Getting my hands on the memoir which goes more into detail about the Party would leave me with no doubt. If someone were to prove me (and my Texas friend, and Ruth) wrong, I would welcome that as well, as I could put the matter to rest. I realize I am putting a lot on the table so to speak, but what else could these be, given the information I have thus far? Also google image and note the identical Federal Shield is engraved on Custer’s Grave Marker surrounding the words and on several other West Point Cadet Gravestones, but not on all of them.

View of the Glass works of T. W. Dyott at Kensington on the Delaware nr Philada., Lithograph by Kennedy & Lucas after William L. Breton, 1831. (The Library Company of Philadelphia)

The interesting fact is that these bottles have quite a cross collecting spectrum, and I think, are more interesting as Civil War/Military/Historical genre than mere 1840’s bottles made at Dyottville.

You are welcome to post this if you would like and I hope you will. This bottle is not for sale, I value this more than money and I am not looking to take advantage of a venue to sell it; I want to learn more about it. I collect Dyottville Glass and this, so far, is the “Holy Grail” of my Dyottville collection. I simply have to know more about it. I’m sure a lot of collectors know that feeling.

Thanks,

Eric M. Richter
Lancaster, Pa

28 September 2012 – Some follow-up emails and postings:

There are at least two more Dyottville cylinder whiskeys out there with seals. One says in script letters ELS. It is a very dark green. Last I knew, there were two of these known. The other says Renault & Co. Cognac-1805-W.H.Y. It’s the only one I’ve ever heard of. I owned these and the 1846 piece in the past. Jerry “DYOTT” Dauphinais

Very interesting. I’ve had three or four over the years and they have always been referred to as “Harvard” bottles. I really like the thesis of the article however (very sensible points) – would love to have more info…Jeff Noordsy

Remembering that there are two versions of this seal – one with the “W” and one without. Jeff Noordsy

I’m here! 🙂 GREAT POST! Class of 1846 is one of my favorite books…have had the great pleasure of meeting the author Jack Waugh (a Texan) a few times…I wish I knew the title of the memoir he’s looking for as I’d be happy to try and find it…one of my first articles I had published was on the early history of chemistry education at West Point and Class of 1846 was a great reference…another terrific book, but harder to find, is “Best School in the World” by James L. Morrison and it also has references to some great student memoirs…the folks at the West Point archives are VERY helpful and kind…I know from experience! I think I’ll post that West Point article of mine soon on the blog. GREAT post and info Ferdinand!!!!! Jim Schmidt

The couple I’ve seen actually had Harvard Class of 49 or 47 embossed on them. Woody Douglas

‘CLASS OF 1846’ – Richter Collection

Base embossed DYOTTVILLE GLASS WORKS PHILA – Richter Collection

Another West Point ‘Class of 1846’ bottles – The University of Texas at Brownsville

Class of 1846 example (you think they would remove the Windex bottles!) – The University of Texas at Brownsville

Dyottville_46_GW96

Black Glass Seal Bottle, “CLASS / OF / 1846 / W” (inside an embossed shield on applied seal) – “PATENT” (on shoulder), American, ca. 1846, yellowish olive green, 11 1/8”h, “DYOTTVILLE GLASS WORKS PHILA” embossed on iron pontiled base, applied tapered double collar mouth and seal. A flat 1/8” chip is off the underside of the collar at the neck, otherwise perfect. – Glass Works Auction #96

Class1846

Two Class of 1846 cylinders showing up (by plan) at the 2013 Baltimore Bottle Show (Bottles owned by Dana Charlton-Zarro and Eric Richter)

Posted in Civil War, Collectors & Collections, Digging and Finding, Glass Companies & Works, History, Museums, Questions, Spirits, Whiskey | Tagged , , , , , , , , , , , , , , , , , , , , , , , , | 3 Comments

Mohawk Whiskey Pure Rye Indian Queen

MOHAWK WHISKEY PURE RYE


Mohawk Whiskey Pure Rye Indian Queen

25 September 2012 (R•090516)

“Keepers of the Eastern Door”

Apple-Touch-IconAWe have so far in this series looked at the Brown’s Celebrated Indian Herb Bitters and the rather different, as far as mold, H. Pharazyn ‘Queen‘. Today we will look at the Mohawk Whiskey ‘Queen’ which is always found in shades of amber. Specimens of all three Queens are pictured above.

You will immediately notice that the Pharazyn and Mohawk Queens are essentially the same mold with different typographic embossings. The difference from the Browns ‘Queen’ is obvious with right arm well below waist and sword in hand. The left arm is bent and holding a shield to the body. Lettering on the shield is Mohawk Whiskey Pure Rye. At shawl fringe, Patented Feb. 11, 1868. The Pharazyn ‘Queen’ has an unlettered shield. Area normally having patent date reads: “H. Pharazyn Philadelphia Right Secured”. Both of these queens have sheared mouths.

Mohawk (borrowed from the Narraganset ‘mohowaùuck’, ‘they eat (animate) things’ are the most easterly tribe of the Iroquois confederation. They call themselves Kanien’gehaga, people of the place of the flint. Kanien’kehá:ka (“People of the Place of Flint”) are an Iroquoian-speaking indigenous people of North America originally from the Mohawk Valley in upstate New York. Their territory ranged to present-day southern Quebec and eastern Ontario. Their current settlements include areas around Lake Ontario and the St Lawrence River in Canada. Their traditional homeland stretched southward of the Mohawk River, eastward to the Green Mountains of Vermont, westward to the border with the Oneida Nation’s traditional homeland territory, and northward to the St Lawrence River. As original members of the Iroquois League, or Haudenosaunee, the Mohawk were known as the “Keepers of the Eastern Door”. For hundreds of years, they guarded the Iroquois Confederation against invasion from that direction by tribes from the New England and lower New York areas. Mohawk religion is predominantly Animist. [Wikipedia]

Thayendanegea or Joseph Brant, painted by Gilbert Stuart, 1786

Thayendanegea or Joseph Brant (March 1743 – 24 November 1807) was a Mohawk military and political leader, based in present-day New York, who was closely associated with Great Britain during and after the American Revolution. Perhaps the American Indian of his generation best known to the Americans and British, he met many of the most significant Anglo-American people of the age, including both George Washington and King George III. While not born into a hereditary leadership role within the Iroquois League, Brant rose to prominence due to his education, abilities and his connections to British officials. Through his sister, Molly Brant, and his later leadership, he was associated with Sir William Johnson, the influential British Superintendent of Indian Affairs in the province of New York. During the American Revolutionary War, Brant led Mohawk and colonial Loyalists against the rebels in a bitter partisan war on the New York frontier. He was accused by the Americans of committing atrocities and given the name “Monster Brant”, but the charges were later found to be false. After the war, he relocated with most of his people to Canada to the Six Nations Reserve, where he remained a prominent leader.

Read More: Looking closer at the Brown’s Celebrated Indian Herb Bitters

Read more: Amethyst Indian Queen Found in Seattle

Read More: H. Pharazyn Indian Queen – Philadelphia

Read More: E. Longs Indian Herb Bitters

Read More: The Indian Herb Bitters Prepared by Drs Dickerson & Stark

Read More: Why do we call the bottles the ‘Indian Queen?’

Read More: The Rubenesque Queens

Read More: Barrel series – Original Pocahontas Bitters

Mohawk Whiskey ‘Queen’ Examples

MOHAWK WHISKEY PURE RYE. Much like the Pharazyn, she looks like an Indian Queen holding a shield. In addition, this one has much of the original yellow paint, including a painted tomahawk on the shield (very important). We’d have to imagine they don’t come a lot better than this in both color and condition. This reads, “PAT FEB 11, 1868” on the reverse base area. Rolled lip is perfect. A terrific example of a rare and desirable figural whiskey. Ex Dr. Burton Spiller collection. – American Bottle Auctions

Golden amber MOHAWK WHISKEY PURE RYE figural Indian Queen – Meyer Collection

MOHAWK WHISKEY PURE RYE and a H. PHARAZYN QUEEN on display at the FOHBC Reno Expo

Mohawk_GW97

“MOHAWK WHISKEY / PURE / RYE – PATENTED / FEB. 11 / 1868”, (Denzin, MOH-11), American, ca. 1868 – 1875, medium yellowish amber Indian Queen, 12 3/8″h, smooth base, intact inward rolled lip, 90% of the original gold trim paint remains, perfect condition. One of only a very few with an undamaged lip, and the only one we’ve seen with this much of the original gold paint. In our opinion this is the ultimate example of this rarely offered and highly desirable bottle! – Glass Works Auction #97

 

Mohawk141_HecklerAmber

“Mohawk Whiskey / Pure / Rye / Patented / Feb. 11 / 1868” Figural Whiskey Bottle, America, 1860-1880. Indian maiden form, bright yellow amber, inward rolled mouth – smooth base, ht. 12 1/4 inches. H #2601 Detailed mold impression and beautiful bright color. Fine condition. – Heckler Auction 141

012-1

Carved Wooden Paint Decorated Figural Whiskey Bottle Prototype, America, 1860-1870. Indian maiden form, green, gold and red painted wood, ht. 12 inches; (minor blemishes). This form is similar to both the “H.P. Pharazyn” and the “Mohawk Whiskey Pure Rye” figural whiskey bottles. Extremely rare. Generally fine condition. – Heckler Auction 141

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Why do we call the bottles the ‘Indian Queen?’

THE INDIAN PRINCESS or LA BELLE SAUVAGE

“Even before the first Englishman set foot on Virginia soil, America was represented in the iconography of 16th century European art as an Indian woman. She was depicted as variously savage and seductive.”

Why do we call the bottles the ‘Indian Queen?’

24 September 2012

Apple-Touch-IconAI have always wondered why we call the figural Brown’s Celebrated Indian Herb Bitters and other similar bottles an ‘Indian Queen’ and in some cases ‘Indian Princess’. This prompted a search to look at some of the historical information and art that probably influenced the brand, bottle design and I suppose advertising (if I can ever find any). We will obviously be looking at Pocahontas and her lore.

de soto and the Indian Queen

Read More: Looking closer at the Brown’s Celebrated Indian Herb Bitters

Read more: Amethyst Indian Queen Found in Seattle

Read More: H. Pharazyn Indian Queen – Philadelphia

Read More: Mohawk Whiskey Pure Rye Indian Queen

Read More: E. Longs Indian Herb Bitters

Read More: The Indian Herb Bitters Prepared by Drs Dickerson & Stark

Read More: The Rubenesque Queens

Read More: Barrel series – Original Pocahontas Bitters

“The Discovery of America” (left), painted in 1575 by Jan Van Der Straet, depicting a naked Indian princess welcoming Christopher Columbus as she reclines on a hammock.
Even before the first Englishman set foot on Virginia soil, America was represented in the iconography of 16th century European art as an Indian woman. She was depicted as variously savage and seductive. Speculation as to the pre-civilized culture of the virgin continent fuelled the fascination with this Indian Princess, as the icon was called. When reports of Pocahontas’ valiant intervention on behalf of John Smith reached European ears, there must have been a slight shock of recognition. The legend of the savage, yet noble, Indian Princess already existed in an embryonic form before anyone had ever heard of Pocahontas. She essentially stepped into a ready-made iconic role.

A painting showing several warriors grabbing John Smith, and forcing him to stretch out on two large, flat stones. They stood over him with clubs, as though ready to beat him to death if ordered. Suddenly, in rushed the chief’s daughter, little Pocahontas, and took Smith’s head in her arms to save him from death. Pocahontas then pulled him to his feet and the chief declared that they were now friends. He then adopted Smith as his son, or a subordinate chief.

Pocahontas (1595?- 1617) – The daughter of a powerful Powhatan Indian Chief in Virginia, she was born in the Tidewater region of Virginia around 1595 and was called Matoaka. However, at an early age she took on the nickname of Pocahontas, meaning “Little-wanton,” for her playful and frolicsome nature, and was considered an “Indian Princess” in pop culture.

A ‘cultured’ Pocahontas with symbolic peace pipe and no sword.

The Indian Princess was later used by the early republic to represent itself. President Washington , in 1790, ordered one of four early congressional medals to bear the image of the Indian woman. Thomas Jefferson was instrumental in bringing this work, now known as “The Diplomatic Medal” (see below), to fruition. He saw to it that a French engraver of some renown execute the medal, which bears the inscription “To peace and Commerce,” and depicts the United States as an Indian Princess holding a cornucopia filled with fruit. She is welcoming Mercury, symbolizing commerce, to her shores and seems to be calling his attention to bundles of merchandise ready for export displayed at her feet.

Augustin Dupré (1748–1833). Diplomatic Medal. Bronze original, 1791 The obverse of a diplomatic medal given out twice in 1792 to a pair of former French ambassadors to the United States, then discontinued. It was actually ordered in 1790 but not finished until early 1792. The medal was done by Augustin Dupré, a leading engraver in Paris at the time. Secretary of State Thomas Jefferson suggested the basic design in his initial letter; Dupré chose to use it. The design is described as: TO PEACE AND COMMERCE. To the left, America, personified as an Indian queen, seated, facing the right, and holding in her left hand the cornucopia of abundance (Peace), welcomes Mercury (Commerce) to her shores, and with her right calls his attention to her products, packed ready for transportation. In the background, to the right, the sea, and a ship under full sail. Exergue: IV JUL. MDCCLXXVI.- Princeton University Library

From The Project Gutenberg Book of The Indian Princess, by James Nelson Barker: Pocahontas then becomes inextricably linked to powerful image of the Indian Princess and its identification with the very essence of our nation. The 19th century, especially, saw a tremendous concern with Pocahontas as the United States sought to fashion a history for itself appropriate to its emerging identity.

Title page to the 1808 Edition of The Indian Princess

I have selected his play, “The Indian Princess,”as an example of the numberless dramas that grew up around the character of Pocahontas. The reader will find it particularly of interest to contrast with this piece G. W. P. Custis’s “Pocahontas; or, The Settlers of Virginia” (1830), and John Brougham’s burlesque, “Po-ca-hon-tas; or, The Gentle Savage.”

The Indian Drama, in America, is a subject well worth careful attention. There are numberless plays mentioned by Laurence Hutton in his “Curiosities of the American Stage” which, though interesting as titles, have not been located as far as manuscripts are concerned.

Barker’s “The Indian Princess” is one of the earliest that deal with the character of Pocahontas. The subject has been interestingly treated in an article by Mr. E. J. Streubel (The Colonnade, New York University, September, 1915).

Barker had originally intended his play, “The Indian Princess,” to be a legitimate drama, instead of which, when it was first produced, it formed the libretto for the music by a man named John Bray, of the New Theatre. In his letter to Dunlap, he says:

“‘The Indian Princess,” in three acts … begun some time before, was taken up in 1808, at the request of Bray, and worked up into an opera, the music to which he composed. It was first performed for his benefit on the 6th of April, 1808, to a crowded house; but Webster, particularly obnoxious, at that period, to a large party, having a part in it, a tremendous tumult took place, and it was scarcely heard. I was on the stage, and directed the curtain to be dropped. It has since been frequently acted in, I believe, all the theatres of the United States. A few years since, I observed, in an English magazine, a critique on a drama called ‘Pocahontas; or, the Indian Princess,’ produced at Drury Lane. From the sketch given, this piece differs essentially from mine in the plan and arrangement; and yet, according to the critic, they were indebted for this very stupid production ‘to America, where it is a great favourite, and is to be found in all the printed collections of stock plays.’ The copyright of the ‘Indian Princess’ was also given to Blake, and transferred to Longworth. It was printed in 1808 or 1809. George Washington Custis, of Arlington, has, I am told, written a drama on the same subject.”

An account of the riot is to be found in Durang’s “History of the Philadelphia Stage,” and the reader, in order to gain some knowledge of the popularity of “The Indian Princess,” may likewise obtain interesting material in Manager Wood’s “Diary,” the manuscript of which is now in possession of the University of Pennsylvania. When the play was given in Philadelphia, the advertisement announced, “The principal materials forming this dramatic trifle are extracted from the General History of Virginia, written by Captain Smith, and printed London, folio, 1624; and as close an adherence to historic truth has been preserved as dramatic rules would allow of.”

It was given its first New York production at the Park Theatre on June 14, 1808.

The ‘Indian Queen’ bottles are full of iconography, symbology and allegorical representations including a necklace, feathers, sword, shield and a crown. Here are some art pieces that may have influenced the two primary molds.

Gold 3$ Indian Princess coin (1888) 1854-1889

Vintage Buffalo Bill Wild West Poster, Indian Princess HE-NU-KAW print, Jack Rennert, Printed In America

John J. Barralet. “America Guided by Wisdom: An Allegorical representation of the United States, denoting their Independence and Prosperity.” Philadelphia, ca. 1815. The War of 1812 has often been called the “Second War of Independence,” especially at the time. Following a series of naval victories and battles at Baltimore and New Orleans, Americans were infused with a new optimism based on a peace treaty that arranged for them to be left alone to develop their new country. This print uses symbols of republican virtues to express pride in the new country. Six lines of descriptive text explain that the focus is on Minerva, Goddess of Wisdom, who points to an escutcheon of the United States with the motto “Union and Independence,” emblazoned on a shield held by America. Thrown down at their feet and behind them is a spear and shield with the visage of Medusa. To the right of this vignette is an equestrian statue of Washington at the entrance of a grand temple. To the left the god Mercury, representing commerce, points to proudly sailing ships to indicate his approval to the goddess Ceres, who holds wheat (a symbol of agriculture), while to her back are symbols of American industry: spinning, beekeeping, and plowing. This is a rich allegory to describe America. We date this print at 1815 because that year marked the end of the War of 1812, and the message is appropriate for that time. Also, in that year Benjamin Tanner (1775-1848) entered a partnership with Vallance, Kearney & Company whose names are added to a later state of this print as described by David M. Stauffer. So the imprint, as well as the wonderfully strong lines, suggests that this printing is a first state. This print is after a drawing by John James Barralet (ca. 1747-1815), an Irish artist who came to Philadelphia about 1795. He had established a reputation as a landscape and historical artist in Dublin and London. When Barralet first arrived in Philadelphia he was hired as an engraver by Alexander Lawson and soon took up painting landscapes in and around Philadelphia. Among American engravers, Barralet is credited with inventing a ruling machine for work on bank notes.

958 Indian Tribe History 1564 Drawing Chief Saturiba Queen Le Moyne Press Photo – eBay

Ah-Weh-Eyu (Pretty Flower), Seneca Indian girl, 1908

Sarah Winnemucca, whose Paiute Indian name was Thocmetony (Shell Flower), was famous for being a Native American educator, lecturer, tribal leader, and writer best known for her book Life Among the Piutes: Their Wrongs and Claims. This book is an autobiographical account of her people during their first forty years of contact with explorers and settlers. Sarah was a person of two worlds. At the time of her birth her people had only very limited contact with Euro-Americans; however she spent much of her adult life in white society. During the Snake and Bannock War Sarah served as an interpreter and negotiator between her people and the U.S. Army. Despite her influence, the Paiutes were moved to the Yakima Reservation in Washington. As a spokesperson for her people, she gave over 300 speeches to win support for them. In order to attract crowds, Winnemucca even dressed as an Indian princess. In this piece I decided to paint Winnemucca against Shell Flowers because she said, ” I am a shell flower, who could be as strong or as beautiful as me.” – Fine Art Silk Studio

Posted in Art & Architecture, Bitters, Figural Bottles, History, Questions | Tagged , , , , , , , , , , , , , , , , , , , , | Leave a comment

H. Pharazyn Indian Queen – Philadelphia

The H. PHARAZYN Queen


H. Pharazyn Indian Queen – Philadelphia

24 September 2012 (R•090516)

Apple-Touch-IconAAfter looking at the well known Brown’s Celebrated Indian Herb Bitters (figural Indian Queen) yesterday we will move next to the oddly named H. PHARAZYN Queen which is a different mold than the Brown’s ‘Indian Queen’ and very similar to the Mohawk Whiskey Pure Rye Queen. This bottle always comes in shades of amber which is a major difference from the broad range of colors associated with the Brown’s Queen. Because the bottle is also embossed ‘PHILA RIGHT SECURED’ this allowed me to search the Pharazyn name online in Philadelphia as not much information is available other than past auction sales of the bottle.

High Shield Mold – PHARAZYN Queen

Figure 1: The H. PHARAZYN Queen varies from the BROWN’S Queen in that the right arm is well below the waist and is holding a sword. The left arm is bent and holding a shield to the body. The shield for the PHARAZYN Queen is unembossed and the area usually used for the patent date has ‘H. PHARAZYN PHILA RIGHT SECURED’.

Low Shield Mold – BROWN’S Queen

Figure 2: The BROWN’S Queen varies from the PHARAZYN Queen in that the arms are not holding the shield (embossed with the product name) and sword.

Arm Placement

The H. PHARAZYN Queen (Figure 1 above) varies from the BROWN’S Queen (Figure 2 above) in that the right arm is well below the waist and is holding a sword. The left arm is bent and holding a shield to the body. The shield for the PHARAZYN Queen is unembossed and the area usually used for the patent date has ‘H. PHARAZYN PHILA RIGHT SECURED’.

The Pharazyn Name

The meaning of Pharazyn come may come from a trade, such as the name “Carpenter” which was given to woodworkers. A lot of these craft-based family names can be a profession in another language. For this reason it is useful to research the country of origin of a name, and the languages spoken by it’s family members. Many western names like Pharazyn originate from religious texts such as the Quran, the Bhagavadgītā, the Bible, and other related texts. Often these family names are shortened versions of a religious sentiment such as “Favored of God”. (AncientFaces)

Probable Match

The most probable match for our Queen bottle is Henry Pharazyn in Philadelphia. I have a hunch that he tried to knock off the famous Brown’s Celebrated Indian Herb Bitters which he certainly must have been aware of as both products are related to the same city, Philadelphia. Henry had many professions and seemed to move around but he did work in a saloon and he did sell herbs.

“Trotting Cracks of Philadelphia Returning From The Race at Point Breeze Park, Having A Brush Past Turner’s Hotel, Rope Ferry Road, Philadelphia, 1870. – Colored lithograph, published by Henry Pharazyn, 1870.

Henry Pharazyn 

(b 1822 – December 1902)

Henry Pharazyn, born ca. 1822 in England, brother of colorist and lithograph publisher Alfred Pharazyn, worked as an artist, jeweler, frame dealer, colorist, and lithograph publisher in Philadelphia during the mid nineteenth century. Known lithographs issued by Pharazyn include “Trotting Cracks of Philadelphia Returning from the Race at Point Breeze Park,…” (1870) published at his frame establishment at 1725 Lombard Street.
During the 1840s city directories listed Pharazyn as a “military artist” at 13 Dugan Street (Center City), while in the 1850s he was listed as a jeweler at 199 1/2 (i.e., 500 block) South Street. The 1860 and 1870 censuses record him as an artist (resident of Ward 3) and colorist (resident of Ward 7), respectively, whose personal estate had increased from $100 to $1000. According to the 1870 city directory, he also worked at a saloon. During the 1870s, he was employed as a carpenter, and later a herbs dealer (529 South Seventh Street), the latter which he continued as an occupation into the 1880s. Pharazyn died a pauper and known as an eccentric in December 1902; his body found in January 1903, days after his death in his cellar residence at 303 South Seventh Street.
Pharazyn was married to Ann (b. ca. 1825) with whom he had a son Alfred (b. ca. 1852), reported as mentally and physically challenged. Ann, described as deaf in the 1870 census, died in the 1880s and son Alfred resided in Pennsylvania Hospital at the time of his father’s death.

Read More: Looking closer at the Brown’s Celebrated Indian Herb Bitters

Read more: Amethyst Indian Queen Found in Seattle

Read More: Mohawk Whiskey Pure Rye Indian Queen

Read More: E. Longs Indian Herb Bitters

Read More: The Indian Herb Bitters Prepared by Drs Dickerson & Stark

Read More: Why do we call the bottles the ‘Indian Queen?’

Read More: The Rubenesque Queens

Read More: Barrel series – Original Pocahontas Bitters

The Gallery

H. PHARAZYN PHILA RIGHT SECURED. Rolled lip. A fine overall example, these were made as early as 1860. – American Bottle Auctions

Amber “H. Pharazyn Phila Right Secured” Indian Queen Figural Bottle, Philadelphia, late 19th century, with sheared lip, embossed lettering below garment on reverse, ht. 12 1/4 in. – Skinner

“H. Pharazyn / Phila / Right Secured” Figural Whiskey Bottle, America, 1860-1880. In the form an Indian maiden with a shield, yellow amber, inward rolled mouth – smooth base, ht. 12 1/8 inches; (bruise on the inner portion of the shield with three 1/2 inch radiating lines). H#1173 Beautiful color, strong embossing, handsome, rare, early whiskey bottle. Displays well. – Heckler

H. Pharazyn / Phila / Right Secured” Figural Whiskey Bottle, ex: Roger Long – Meyer Collection

012-1

Carved Wooden Paint Decorated Figural Whiskey Bottle Prototype, America, 1860-1870. Indian maiden form, green, gold and red painted wood, ht. 12 inches; (minor blemishes). This form is similar to both the “H.P. Pharazyn” and the “Mohawk Whiskey Pure Rye” figural whiskey bottles. Extremely rare. Generally fine condition. – Heckler Auction 141

Posted in Figural Bottles, Whiskey | Tagged , , , , , , , | Leave a comment

Looking closer at the Brown’s Celebrated Indian Herb Bitters

Looking closer at the Brown’s Celebrated Indian Herb Bitters

23 September 2012 (R•051814) (R•052714) (R•091018)

John Feldmann ‘Indian Queen’ color run

aka ‘INDIAN QUEEN’

Apple-Touch-IconAI am presently working on a feature article on John Feldmann for the November/December issue of Bottles and Extras. During the development of possible imagery for the magazine, I prepared the above clip path art on the famous Feldmann ‘Indian Queen’ color run. I also wanted to look closer at the typographic variations on the Queens which I have below.

BROWN’S CELEBRATED INDIAN HERB BITTERS

Whitney Brothers Glass Works | Circa 1867 – 1870

B 222     B 223     B 224    B 225     B 226

Indian Queens (2007) on an early spring morning – Meyer collection

B 224 – AntiqueBottles.com

According to the write up in Bitters Bottles by Carlyn Ring and W.C. Ham, there is no discernible variations between the five different Queens other than their datelines.

Collectors seem not to notice which date line their Queen has so ranking their relative rarity is impossible. Many of the ground mouth finish Queens have been found with traces of paint in the crevasses of robe folds and between feathers of apron or necklace details. It could easily be mistaken for accumulated dust or soil but as so many of these paint traces we tend to believe that some, if not all, were painted originally. Today’s collectors seem to look for a sparkling mint specimen so the traces of paint are often removed.

Four other Queen molds are known. One quite varied with right arm well below waist and sword in hand. The left arm is bent and holding a shield to the body. Lettering on the shield is Mohawk Whiskey Pure Rye. At shawl fringe, Patented Feb. 11, 1868. Another of te same mold has unlettered shield. Area normally having patent date reads: H. Pharazyn Philadelphia Right Secured. Both of these queens have sheared mouths. The remaining queen molds are altogether different. See: E. Long’s Indian Herb Bitters and Indian Herb Bitters Dickerson & Stark.

Not much is known about the proprietor, Neal N. Brown (also spelled Neall and Neill in historical documents) other than he lived and operated in Philadelphia and took out a couple of patents for his famous figural bottle in 1867 and 1868. I suspect he was an Irishman. We first see him as an innkeeper and tavern owner in 1863 and 1864. In 1866 he has some legal problems as he is charged by the United States government for transporting unsealed whiskey. Next Brown is into Patent Medicines and puts out his Indian Queen bitters. In the mid 1870s, he is listed as a liquor dealer. He must have been a good customer with Whitney Glass Works in South Jersey as he ordered a lot of bottles. It really is surprising that we do not see more period advertising.

Read More: Amethyst Indian Queen Found in Seattle

Read More: H. Pharazyn Indian Queen – Philadelphia

Read More: Mohawk Whiskey Pure Rye Indian Queen

Read More: E. Longs Indian Herb Bitters

Read More: The Indian Herb Bitters Prepared by Drs Dickerson & Stark

Read More: Why do we call the bottles the ‘Indian Queen?’

Read More: The Rubenesque Queens

Read More: Barrel series – Original Pocahontas Bitters

Read More: Not Brown – A “chocolate” Brown’s Celebrated Indian Herb Bitters

Read More: Iron Maiden

Neall N. Brown Patent for a Bottle 2950 – 11 Feb 1868 – image Bitters Bottles


B 222 

PATENTED FEB. 11. 1868 (Celebrated has no R)

Embossed on shield and banner: BROWN’S CELEBATED INDIAN HERB BITTERS,  PATENTED FEB. 11 1868, 12″ h, amber Indian Queen (No R in CELEBRATED) – WeLoveOldBottles.com

B 222  BROWN’S / CELEBATED / INDIAN HERB BITTERS // PATENTED / FEB. 11, 1868
12 1/8 x 3 1/4
Indian Queen, Amber and Green, Rolled mouth, Extremely rare
Celebrated as no R
Note: There was a reproduction of this bottle made for the 1957 Jamestown Virginia 350 year celebration that is very similar except that the bottle ends at the headdress and has a stopper. The base has a fancy monogram. Thee bottle is heavy weighing about 1 1/2 lbs.

B 223

PATENTED 1867

B 223 BROWN’S CELEBRATED INDIAN HERB BITTERS, PATENTED 1867 – Meyer Collection

B 223  BROWN’S / CELEBRATED / INDIAN HERB BITTERS // PATENTED / 1867
Neal N. Brown   Philadelphia, Pennsylvania
12 1/4 x 3 1/4
Indian Queen, Amber, Rolled mouth, Common
B223Brown'sclearRH

B 223 BROWN’S CELEBRATED INDIAN HERB BITTERS, PATENTED 1867 (Clear) – Bitters Bottles Supplement

B223Brown'sIndianaqua

B 223 BROWN’S CELEBRATED INDIAN HERB BITTERS, PATENTED 1867 (Aqua) – Bitters Bottles Supplement

B223_BrownsIndianQueenPainted

B 223 Partially Painted BROWN’S CELEBRATED INDIAN HERB BITTERS, PATENTED 1867 – Bitters Bottles Supplement


B 224

PATENTED FEB 11. / 1867

B 224 BROWN’S CELEBRATED INDIAN HERB BITTERS, PATENTED FEB. 11 1867 – American Bottle Auctions

B 224  BROWN’S / CELEBRATED / INDIAN HERB BITTERS // PATENTED / FEB. 11 / 1867
12 1/4 x 3 1/4
Indian Queen, Amber, Sheared or ground lip, Common
There are several examples with original multicolor paint which are Extremely rare

B 225

PATENTED 1868

B 225 BROWN’S CELEBRATED INDIAN HERB BITTERS, PATENTED 1868 – GreatAntiqueBottles.com

B 225  BROWN’S / CELEBRATED / INDIAN HERB BITTERS // PATENTED 1868
12 1/4 x 3 1/4
Indian Queen, Amber Common; Yellow green tone, Shear or Ground lip – Rare

B 226

PATENTED FEB. 11 1868

B 226 BROWN’S CELEBRATED INDIAN HERB BITTERS, PATENTED FEB. 11 1868 – GreatAntiqueBottles.com

B 226  BROWN’S / CELEBRATED / INDIAN HERB BITTERS // PATENTED /
FEB. 11 / 1868 //
12 1/4 x 3 1/4″
Indian Queen, Clear and Aqua – Extremely rare ; Amber – Common
Sheared or ground Lip

BROWN’S ‘INDIAN QUEEN’ GALLERY

Brown’s Indian Queen Hotel, Washington City, North side of Pennsylvania Avenue about midway between the Capitol and the President’s House, a few doors east of the Centre Market. The Indian Queen became Washington’s most prestigious hotel when it opened in 1820. – Library of Congress

B 223 BROWN’S CELEBRATED INDIAN HERB BITTERS, PATENTED 1867 in a pale yellow – image Skinner’s

B 222 BROWN’S CELEBATED INDIAN HERB BITTERS, PATENTED FEB. 11, 1868 in a dark amber – WeLoveOldBottles.com

Beautiful green Indian Queen – Jeff Burkhardt

BROWN’S CELEBRATED INDIAN HERB BITTERS in clear glass. 12 ¼”. B 226. – American Bottle Auctions

B 226 BROWN’S CELEBRATED INDIAN HERB BITTERS PATENTED FEB. 11 1868 in yellow with a greenish tone – American Bottle Auctions

Note: This is only the second one of these solid-glass Queens GW has ever heard of. (The other example was sold in Glass Works Auctions sale #22).In 1992 Glass Works Auction sold the bitters bottle collection of the late Dan Murphy of Utica, New York. At the time when GW picked up the collection, this rare item sat on a coffee table in the center of the Murphy’s bottle room. As of now only two exist, we believe they were possibly made for Neil Brown, the proprietor of Brown’s Indian Herb Bitters, possibly for his personal use as a paperweight or house ornament. Ex. Dan Murphy – Meyer Collection

B 225 BROWN’S CELEBRATED INDIAN HERB BITTERS PATENTED 1868 in a dark chocolate. ex: Grapentine – Meyer Collection

B 225 BROWN’S CELEBRATED INDIAN HERB BITTERS PATENTED 1868 in citron green. ex: Judge MacKenzie, Doy McCall collections – Meyer Collection

Cast iron indian queen casting that looks very similar to the Brown’s Celebrated Indian Herb Bitters figural bottle. Inscribed on the bottom is ‘Neal N. Brown, 1867, Philadelphia, PA’ – Joe Wood

Heckler 141 – Carved Wooden Paint Decorated Figural Whiskey Bottle Prototype, America, 1860-1870. Indian maiden form, green, gold and red painted wood, ht. 12 inches; (minor blemishes). This form is similar to both the “H.P. Pharazyn” and the “Mohawk Whiskey Pure Rye” figural whiskey bottles. Extremely rare. Generally fine condition. – Meyer Collection

Select Listings:

1863: Neal Brown, innkeeper, Philadelphia, Ward 8 – Philadelphia Septennial Census
1864: Neill Brown, tavern, S.E. 24th & Locust – Philadelphia, Pennsylvania City Directory
1864: Neill Brown arrested for transporting whiskey notice (below): The Evening Telegraph, Wednesday, October 24, 1866

1866: Legal problems (below), United States vs. Neal Brown – The Philadelphia Inquirer, Saturday, November 24, 1866

1867: Patented 1867 on B 223 and B 224 (see above)
1868: Neall N. Brown Design for a Bottle Patent Drawing 2950, Feb. 11 1868 (see above)
1868: Neil N. Brown, Patent Medicines, 217 Callowhill – Philadelphia, Pennsylvania City Directory
1871: Advertisement (below) – The Star and Enterprise, Thursday, June, 15 1871

1874: Neal Brown, liquors, 2379 Tulip – Boyd’s Philadelphia Directory
1875-1876: Neal Brown, liquors, 2379 Tulip – Philadelphia, Pennsylvania City Directory
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