The great work of Sarony, Major & Knapp Lithographer – New York

The great work of Sarony, Major & Knapp Lithographer – New York

06 September 2012 (R•01Oct13)

Apple-Touch-IconAWhen looking at the great antique bottle brands, I periodically come across some great lithography used to market the product. I guess my favorite is the Old Sachems Bitters (Read more on Old Sachems Bitters and Wigwam Tonic) with the Native American Indian chief. The lithography was done by Sarony, Major & Knapp Lithographers New York. They were also responsible for most of the great Bininger art (See more Bininger art) and the recent S. S. Wyckoff post (See S.S. Wyckoff Bitters) I developed yesterday.

Sarony&Co

The sheet music art then was the record album cover art that was so popular in the 20th century.

Sheet Music, 1850 – Mermaid Polka. Lith. of Napoleon Sarony, 1850. [H. D. Hewitt]

Popular product brands, portraits and sheet music covers seemed to be represented in most of the art I could find. America during this time period had an immense thirst for patriotism, music and celebrities based on the events of the day. The sheet music art then was the record album cover art that was so popular in the 20th century. You have to be dismayed that some of these artistic expressions are a dying art in the era of digital transmissions, clip art and instant photography as most of us have cameras on our phones.

I have put together some information on primarily Napoleon Sarony, the Sarony, Major & Knapp Lithography studio and some of their wonderful art. Killer in every respect.

Napoleon Sarony

Napoleon Sarony (1821 – November 9, 1896) was an American lithographer and photographer. He was a highly popular and great portrait photographer, most known for his portraits of the stars of late-19th-century American theater.

Napoleon Sarony – Self Portrait, date unknown

Sarony was born in Quebec in 1821 and moved to New York City around 1836. He worked as an illustrator for Currier and Ives before joining with James Major and starting his own lithography business, Sarony & Major, in 1843. In 1845, James Major was replaced by Henry B. Major in Sarony & Major and it continued operating under that name until 1853. From 1853 to 1857, the firm was known as Sarony and Company, and from 1857 to 1867, as Sarony, Major & Knapp. Sarony left the firm in 1867 and established a photography studio at 37 Union Square, during a time when celebrity portraiture was a popular fad. Photographers would pay their famous subjects to sit for them, and then retain full rights to sell the pictures. Sarony reportedly paid famed stage actress Sarah Bernhardt $1,500 to pose for his camera, the equivalent of more than $20,000 today. [reference Wikipedia]

Napoleon Sarony. Sarah Bernhardt as Cleopatra, 1891

The Studio

Advertisement for Sarony’s Photographic Studies, New York City, Gilman Collection, Joyce F. Menschel Photography Library Fund, 2005, The Metropolitan Museum of Art

“Glare, bareness, screens, iron instruments of torture, and a smell as of a drug and chemical warehouse on fire in the distance. A photographer’s operating room is always something between a barn, a green-room, and a laboratory”

In late 1871, Sarony moved his studio to 37 Union Square where it occupied several floors above the ground level. Rental on the Union Square building was $8,000 a year (an equivalent of over $116,000 in year 2006). Customers rode a small slow-moving hydraulic elevator up from the street level to Sarony’s reception room located on the fifth floor. Richard Grant White, writing for the Galaxy magazine described Sarony’s studio as “Glare, bareness, screens, iron instruments of torture, and a smell as of a drug and chemical warehouse on fire in the distance. A photographer’s operating room is always something between a barn, a green-room, and a laboratory” (from “A Morning at Sarony’s” in Galaxy, March 1870, p. 409.) The “iron instruments of torture” were posing braces and stands to help the subject remain motionless for exposure times which often ranged from fifteen seconds up to a minute. Sarony’s involvement in the portrait making was primarily in arranging the camera, extracting the right expressions from the face and body of his subject, lighting, drapes, and props — the art of the photo. Numerous assistants were on his staff to attend to the mechanical chores of the camera operation and the chemical processes involved.

Sarony’s reception room at 37 Union Square.

Sarony considered himself an artist above all else — preferring to draw with charcoal and crayon. However, with his innovative techniques in application of lighting, posing his subjects, and arranging background elements in portraits he rose to prominence. When once interviewed about his work, he stated “We photographers have queer experiences. Ours is a most excellent opportunity to study human nature, and making a baby laugh is not the one trick of the calling. In order to take a good photograph one should know something about the sitter’s habits and surroundings. This he must learn at a single glance or by an adroit question.” (From an interview in Newark Sunday Advocate, January 7, 1893, p. 2. Reprinting the New York Herald.). [reference Mark Twain, Napoleon Sarony and “The damned old libel”]

The Samuel Clemens Sessions

Some of the most famous photographs of Samuel Clemens, better known as Mark Twain, were made by New York photographer Napoleon Sarony. No complete record exists of exactly how many negatives Sarony made of Clemens nor how many photo sessions Clemens had with him. There were at least two sessions — a session about 1884 and a second session about November 1893 when Clemens intended to have a photo of himself made for his wife Livy’s birthday on November 27 (see letter below). Read more on the the Clemens sessions.

Photos of Mark Twain believed to be from an 1893 photo session with Sarony.
After initially approving of the photo on the far right, Clemens later referred to it as “The damned old libel.”

Chromolithography

The Reading Lesson – Publisher: Sarony, Major & Knapp, New York, Between 1857 & 1864, Original Chromolithograph

Chromolithography: The revolutionary art of colour printmaking from lithographic stones began in Europe during the mid 1830’s. The Germans, in particular, excelled in the new art form and many accomplished printers and publishers of that nationality moved to the United States at this time. The first American chromolithograph was created in 1840. During the following fifty years many of these original colour prints were made to adorn the walls of American parlours. Large and profitable businesses sprang up in almost every major city and by 1880 it had become the dominant form of artistic printmaking.

The cheaper and more practical advances of photomechanical methods, however, sounded the death knell for the chromolithograph by the turn of the century. Yet, not even our most sophisticated means of reproducing images can equal the vibrant, oil-based colours of the chromolithograph, as one can clearly view from this original example pictured above.

Today these chromolithographs have become very scarce, particularly the large images. A major share of the blame falls upon the ruinous methods of nineteenth century framers as they most often used the most acidic and damaging materials at hand. The result is that the majority of these important works of art have quite literally rotted away in their frames. Even surviving examples usually contain discolouration, time staining, chipping or creasing.

Napoleon Sarony letter to Samuel Clemens is courtesy of the Mark Twain Papers, University of California, Berkeley.

Joseph F. Knapp 1832-1891, The patriarch of the the Knapp family Lithographer of the firm Sarony Major & Knapp , Major & Knapp, The Knapp Co. and a founder and president of Metropoilitan Life Insurance. His life story along with two other generations of his family is told in the new book The Knapps Lived Here by Ken Spooner

S A R O N Y,    M A J O R    &    K N A P P  

 G  A  L  L  E  R  Y

Sarony, Major & Knapp Lithographer – Archival Fine Art Paper Print, National Guard half pounds. Manufactured by Baker Pleasants & Frayser, Richmond, Virginia, c1857. Tobacco label showing three officers of the New York State Militia wearing shakos.

BITTERS S.S. Wyckoff & Co. New York, Sarony, Major & Knapp Lith., lithographer., circa 1861, Copyright 1861 by Sarony, Major & Knapp. From the Louis Maurer Collection. Advertising print for S.S. Wyckoff’s Bitters. Liberty, personified as a young woman in flowing robes and a phrygian cap, stands above the Wyckoff company name and U.S. flag and great seal, holding two laurel wreaths. At her feet are symbols of harvest and drinking. Behind her at right, the Greek mythic physician Asclepius holds his staff and snake in his left hand and raises a glass in his right. Behind him is the U.S. Capitol building. In the background at left is another large domed building. – American Antiquarian Society

“Our heaven born banner”painted by Wm. Bauly ; lith. of Sarony, Major & Knapp, 449 Broadway, N.Y. A pro-Union patriotic print, evidently based on Frederic Edwin Church’s small oil painting “Our Banner in the Sky” or on a chromolithograph reproducing that painting published in New York by Goupil & Co. in the summer of 1861. Church’s painting was inspired by the highly publicized Confederate insult to the American flag at Fort Sumter in April 1861 and by a sermon by Henry Ward Beecher published shortly thereafter. The present print was deposited for copyright, with a companion piece, “Fate of the Rebel Flag” (no. 1861-21), on September 6. “Our Heaven Born Banner” shows a lone Zouave sentry watching from a promontory as the dawn breaks in the distance. His rifle and bayonet form the staff of an American flag whose design and colors are formed by the sky’s light. Below, in the distance, is a fort–probably Sumter. The print is accompanied by eight lines of verse: When Freedom from her mountain height / Unfurled her standard to the air, / She tore the azure robe of night / And set the stars of glory there. / She mingled with its gorgeous dyes / The milky baldrick of the skies, / And striped its pure celestial white / With streakings of the morning light. Unlike its companion piece, “Our Heaven Born Banner” is printed using brown instead of black ink for the primary tone.

Essence of Old Virginia Wheat Whiskey, A.M. Bininger & Co. / Sarony, Major & Knapp liths., N.Y., ca. 1859 (Library of Congress)

The Atlantic Cable. Sarony, Major & Knapp, New York. 1858. Lithograph. Source: Bill Burns, The Atlantic Cable

Bininger’s Bouquet Bourbon, A.M. Bininger & Co., N.Y. sole proprietors / Sarony, Major & Knapp lith., N.Y. Whiskey advertising label showing man with mandolin and woman with bouquet on steps. – eBay

Robert Stoepel : U.S. Army Calls : Military Quadrille, U. S. Army Calls : Military Quadrille / composed by Robert Stoepel, New York : Wm. A. Pond & Co., 1862, Plate no.: 5266, Color: Winter scene of three uniformed soldiers quarding a camp / lith. of Sarony, Major & Knapp

Old Sachem Bitters and Wigwam Tonic – Wm. Goodrich, New York Geo. Hunnewell, agent, New York lithograph of Sarony, Major & Knapp, 449 Broadway, N. York. Sarony, Major & Knapp Lith., New York, Sarony, Major & Knapp, 449 Broadway, circa 1859. Print showing a Native American man, possibly a chief, full-length portrait, standing, facing right, holding a spear in left hand; in the background are the teepees of a Native village during an assault on the village – Library of Congress

Bininger’s Pioneer Bourbon, A.M. Bininger & Co. / lith. of Sarony, Major & Knapp, N.Y., Date created: c1859, lithograph, color. Bourbon advertising label showing man holding rifle and warming his hands by campfire, with moon in background.

Albert W. Berg: Polar Bear Polka, The Polar Bear Polka composed by Albert W. Berg, New York : Firth, Pond & Co., 1856, Polar bears dancing (or fighting?), with a portrait of Elisha Kane above / lith. of Sarony, Major & Knapp –  Keffer Collection of Sheet Music

La Sylphide by A.M. Bininger, bourbon whiskey label, ca. 1860, La Sylphide Bourbon, A.M. Bininger & Co. Bourbon advertising label in the shape of a glass showing a man pursuing three sylphs. Copyright by Rufus Watles & L.C. Sanger, lithograph by Sarony, Major & Knapp, New York, ca. 1860. For a beverage that has been marketed as manly-man drink for the last couple of decades, this label looks surprisingly feminine…

Capitol March : Washington : op. 45 / composed by Louis Berge, Capitol Building, Washington, D.C. / Lith. of Sarony, Major & Knapp, New York : John J. Daly, 1861 – Keffer Collection of Sheet Music

MagendiesBitters

Celebrated Magendie’s Bitters, Wadley & Wells, New York. An unlisted bitters. Label from the Joe Gourd collection

TokayCordialBitters

Tokay Cordial Bitters label. An unlisted bitters. From the Joe Gourd collection

Posted in Advertising, Art & Architecture, Article Publications, Bitters, Civil War, Collectors & Collections, Ephemera, History, Photography, Spirits, Technology | Tagged , , , , , , , , , , , , , , , , , , , , | Leave a comment

S.S. Wyckoff & Co. New York – Liberty personified as a young woman mystery

BITTERS S.S. Wyckoff & Co. New York, Sarony, Major & Knapp Lith., lithographer., circa 1861, Copyright 1861 by Sarony, Major & Knapp. From the Louis Maurer Collection. Advertising print for S.S. Wyckoff’s Bitters. Liberty, personified as a young woman in flowing robes and a phrygian cap, stands above the Wyckoff company name and U.S. flag and great seal, holding two laurel wreaths. At her feet are symbols of harvest and drinking. Behind her at right, the Greek mythic physician Asclepius holds his staff and snake in his left hand and raises a glass in his right. Behind him is the U.S. Capitol building. In the background at left is another large domed building. –  American Antiquarian Society

S. S. Wyckoff & Co. New York – Liberty personified as a young woman mystery

05 September 2012 (R•111014) (R•042919)

Apple-Touch-IconASometime during the long and busy 2012 FOHBC Reno Expo, a gentleman  I can not remember his name) gave me an 8 1/2″ x 11″, folded, stapled and lightly printed (from the Internet), black and white print of an advertising piece reading BITTERS S. S. WYCKOFF & CO. I said I was unfamiliar with the piece or the bitters brand. In short order I was checking my Carlyn Ring and W.C. (Bill) Ham Bitters Bottles and Bottles Bottle Supplement books and noticed no reference within. Wow. I set this aside, talked to Bill Ham at some point and we were both puzzled by the art.

Finally last weekend, as I was working through a backlog of items, I came across this mysterious printout and studied it closer. I decided to Google the brand name and quickly came up with numerous examples of the same art which is represented at the top of this post. I also found an advertisement or two for Samuel S. Wyckoff in New York and a few address listings. On Sunday I put the art on the home page of Peachridge Glass and asked you all (we say that here in Texas) for help.

[28 April 2019] BITTERS S.S. Wyckoff & Co. New York, Sarony, Major & Knapp Lith., lithographer., circa 1861, Copyright 1861 by Sarony, Major & Knapp. From the Huntington Library (San Marino, CA). Photographed flat on site in a large book by a collector in June 2017 and digitally skewed in Photoshop by PRG.

The new listing by Bill Ham for the forthcoming Bitters Bottles Supplement 2:

Lithograph
W 166.5 S. S. WYCHOFF & CO BITTERS NEW YORK
Sarony, Major & Knapp Lith., Lithographer, copyright 1861
Pictures woman in flowing robes and a phrygain cap standing above the Wyckoff name and U. S. flag.
// s // S. S. WYCHOFF & CO
Round, Deep red amber, DC, Applied mouth
Advertisement: Wines & Liquors, S. S. Wyckoff & Co, Wholesale Grocers, No. 104 Murray St., New York

S.S. WYCKOFF & CO. Groceries Advertisement – submitted by Brian Wolff

In very short order, Brian Wolff sent me a private communication linking me to another advertisement, a forum post, pictures and a document link on Antique-Bottles.net. Apparently someone had come across a bottle back in June 2009 with the S. S. WYCKOFF embossing and posted it online garnishing a few responses. These are all posted below starting off with the finders comments:

“We’re on a super tight budget, but occasionally we find a bargain…Here’s what today’s rainy wanderings of the aisles produced,…The bottle is a beautiful color,…Lauren calls it “black cherry’ (and that’s what it looks like) Shades of puce/strawberry amber I would say…very unusual with neat embossing “S. S. WYCKOFF & CO.” with a raised border surrounding it, curved around the shoulder of the bottle. Also a cool double collared gloppy applied lip. If anyone is familiar with this bottle,…please give a shout. I found it hidden behind some more common chipped and beat medicines and such,…almost passed it by till I spotted the lip. 12 dollars after the Fathers day sale discount. Thanks for looking.” Joe

P.S. I’ll have to get some better pics in natural light after this rain lets up.

Antique-Bottles.net post

S. S. WYCKOFF & CO. – JoeTheCrow – Antique-Bottles.net

S. S. WYCKOFF & CO. – JoeTheCrow – Antique-Bottles.net

Now at least I have a bottle to look at albeit blurry and hard to read. Brian quickly contacted the owner Tuesday and received more pictures (see far below). It looks like we are off to the races on this one and have identified an unlisted labeled bitters. Stay tuned.

2nd Round of Pictures

Posted in Bitters, Collectors & Collections, Digging and Finding, Questions | Tagged , , , , , , | 1 Comment

Ghost Towns – “a shadowy semblance of a former self”

Stormy day at the Bodie Historic State Park

Post inspired by Tom Doligale

One can only imagine the condensed society and lifestyle in these towns that sprouted up, flourished and essentially died in the blink of an eye. The whiskey, women, song and toil making for a tough but sometimes highly profitable return.

Ghost  Town: A ghost town is an abandoned village, town or city, usually one which contains substantial visible remains. A town often becomes a ghost town because the economic activity that supported it has failed, or due to natural or human-caused disasters such as floods, government actions, uncontrolled lawlessness, war, or nuclear disasters. The term is sometimes used to refer to cities, towns, and neighborhoods which are still populated, but significantly less so than in years past; for example those affected by high levels of unemployment and dereliction.

Definition: The exact definition of a ghost town varies between individuals, and between cultures. Some writers discount settlements that were abandoned as a result of a natural or human-made disaster, using the term only to describe settlements which were deserted because they were no longer economically viable; T Lindsey Baker, author of Ghost Towns of Texas, defines a ghost town as “a town for which the reason for being no longer exists”. Some believe that any settlement with visible tangible remains should not be called a ghost town; others say that a ghost town should contain tangible remains of buildings. Whether or not the settlement must be completely deserted, or may contain a small population, is also a matter for debate. Generally, though, the term is used in a looser sense, encompassing any and all of these definitions. The author Lambert Florin once described ghost towns as “a shadowy semblance of a former self”.

Reasons for Abandonment:

Factors leading to abandonment of towns include depleted natural resources, economic activity shifting elsewhere, railroads and roads bypassing or no longer accessing the town, human intervention, disasters, massacres, wars, and the shifting of politics or fall of empires. [source Wikipedia]

Barkerville, British Colombia

In looking at Ghost Towns, the one that struck me as one of the more interesting is Barkerville, British Colombia. Once the largest city north of San Francisco and west of Chicago, Barkerville was situated on the western edge of the Cariboo Mountains. It was likely named after Billy Barker from Cambridgeshire, England, who was among those who first struck gold at the location in 1861, and whose claim was the richest and most famous.

Barkerville grew up almost overnight, and was a case of “growth via word of mouth”. Barkerville grew as fast as word of Barker’s strike spread. His claim would eventually yield 37,500 ounces (1,065 kg/2,350 lb) of gold.

movers of freight boasted that they could pack and carry a set of champagne glasses without any breakage

Before the construction of the Cariboo Wagon Road, people hauled their own supplies to Barkerville, either on their backs or in a pack train. Because supplies were scarce, the prices of even the most everyday items were extremely high. High prices for goods in Barkerville did not ease up until the Cariboo Road had been finished, when goods could be transported by huge freight wagons. Soon, movers of freight boasted that they could pack and carry a set of champagne glasses without any breakage – for a price, of course. More women also came to Barkerville after the construction of the Cariboo Road.

Barkerville (1865)

It had several general stores and boarding houses, a drugstore that also sold newspapers and cigars, a barbershop that cut women’s as well as men’s hair, the “Wake-Up Jake Restaurant and Coffee Saloon”, a theatre (the Theatre Royal), and a literary society (the Cariboo Literary Society).

At first, the town consisted only of makeshift cabins and tents. By the mid-1860s, however, Barkerville had a population of approximately 5,000. Even though its population was transient and largely dependent on mining, Barkerville was becoming less of a service town and more of a real community. It had several general stores and boarding houses, a drugstore that also sold newspapers and cigars, a barbershop that cut women’s as well as men’s hair, the “Wake-Up Jake Restaurant and Coffee Saloon”, a theatre (the Theatre Royal), and a literary society (the Cariboo Literary Society). Horse racing and prize fighting were common entertainments. Among the so-called “sober set,” church services were extremely well attended, but even with all these different stores the ones that made the most were the general stores. With them as the only source of food the store owners started increasing the price of food and supplies. In the height of the gold rush the stores sold flour for as high as $1.25 per pound. Beans, meat, and dried fruit were sold for a dollar a pound. But as the gold rush ended the stores went bankrupt and in the end were left with nothing.

Chinese were an important part of Barkerville life for almost a hundred years. They established a number of businesses, including the Kwong Lee Company, a general store that sold groceries, clothing, hardware, and mining tools. The company had stores in other parts of British Columbia, but the Barkerville store was one of the most impressive in town. The Chinese community also built cabins (for Chinese miners, who saved money by sharing four or five to a cabin) and Tai Ping (the “Peace Room”), the equivalent of a modern nursing home. Chinese benevolent associations provided social services to the Chinese community, and also resolved disputes within the Chinese community without the use of BC courts.

On September 16, 1868, Barkerville was destroyed by a fire that spread quickly through the wooden buildings. Rebuilding began immediately, and at an impressive pace. Within six weeks, ninety buildings had been rebuilt. Boardwalks were improved and the narrow and winding main street was widened and straightened. By 1880, there were enough children in the area to build the Barkerville School. It had just thirteen pupils and one piece of school equipment – a chalkboard. Even so, Barkerville’s population was declining by the end of the century and it eventually became a ghost town. It did, however, have a small revival in the 1930s, when the Great Depression caused widespread unemployment, and the price of gold skyrocketed. But as the depression turned for the better, Barkerville fell back into an abandoned state.

In 1958, the government of British Columbia decided that the town should be restored and operated as a tourist attraction. Today, Barkerville appears as it did in its heyday, and visitors can step back in time and marvel at its past. Barkerville Historic Town now greets visitors from all over Canada and other parts of the world, including thousands of students. The history of each building has been meticulously researched and documented. No actual residents remain. They were either bought out or moved to New Barkersville during the restoration of the site. [Wikipedia]

Barkerville Historic Town – British Colombia

G H O S T   T O W N   G A L L E R Y

Aurora, Nevada is a ghost town located 13 miles east of its more famous successor Bodie California. Slowly being reclaimed by the beautiful terrain that it once stood upon, now almost nothing remains. The lack of available wood and the towns thirst for growth may be the main factor in its disappearance after it was abandoned in the early 1900’s.

Berlin, Nevada – ghost town

Older section of the ghost town of Jerome, Arizona. – photograph Andrew Dunn, 1992

Two older establishments in a ghost town

Bodie, California was a quintessential frontier town of the Old West, complete with dozens of saloons, a red light district and a Chinatown. Stories of its history include tales of barroom brawls, stagecoach robberies and other Wild West debauchery. Founded during the Gold Rush the town thrived through the early 20th Century but was subsequently deserted and now is preserved and partially restored to its original state.

View from town towards the Standard Mine/ Mill – Bodie, California

Wagon on abandoned Main Street

View of Sherlock Store, hotel, saloon, bank, and recorder’s office, South Pass City, Wyoming, undated.

Picture of the old Gold King Mine, Arizona ghost town.

Belmont, Nevada – ghost town

The golden Cycle Mill located on 21st Street across from The Roundhouse and Ghost Town Museum, in Colorado Springs. This once very active mill once processed much of the ore from the Cripple Creek and Victor Mining district. Incorporated in 1885 as the Golden Cycle Mining Corporation, the mill ran consistently with the exception of a fire in 1907, but resumed operation in 1908 after being rebuilt. In 1949 the mill was shut down and later dismantled, but through its many years of operation, it treated 13,564,982 ton of gold ore from the Cripple Creek district, and 794,280 tons from other areas in Colorado. This is one “Ghost” that is gone forever, but you can still see the tall smoke stack and tailings pile from both 21st street and Highway 24 in Colorado Springs.

Scenic of 1880’s Ghost Town Murdo, South Dakota

Posted in Art & Architecture, History, Museums, Photography | Tagged , , , , , , , , , , , , , , , , , , | Leave a comment

“Teakettles Demand Age Respect”

A lot of todays “experts” say Teakettles date from the 1870’s to 1890’s. 

I have put together a number of inkwell posts this past year and have had one specific post on Teakettle Inkwells in a draft mode waiting for material to complete. I also wanted to visit two major Teakettle collections and have not had the chance. An email from Joe Matthews (see below) prompted this post now, as there is some good new information moving the date up to the 1830’s on these specific inkwells.

Teakettle Inkwell Display – Antique Bottles and Inkwells

Ferdinand,

Lucy Faulkner and I have worked together on researching teakettle inks. It has been definitely confirmed that Teakettle inks are some of the oldest inks and definitely date to the 1830’s. Your readers might be interested in seeing beautiful teakettles posted on their web site and the London newspaper ad of 1835 with the proof. “Teakettles demand age respect”. Not the 1870 to 1895 dates most auction houses declare as the age.

Regards Joe 

PS: Thanks for what you do in keeping collectors informed.

Ed and Lucy Faulkner have the following description on their web site (visit Antique Bottles & Inks) for Teakettle inks under the picture at the top of this post.

Teakettle inkwells can be found in many beautiful colors and shapes, as well as clear, ceramic and pottery. Embossed glass ones are rare. Some of the pottery will have an advertising name on them. Occasionally one can be found with the English ink company name on a brass top fitted to the bottle. The embossed American one we see most often, is the aqua one with pen ledges and a patent date. Also pictured in this group is an aqua Butler’s ink, which is considered hard to find. The barrel inks are thought to be American, whereas the others are of unknown maker for the most part. The figural ones such as snail, turtle, etc. are thought to be European. The problem with identifying the maker is that without embossing of any kind, the only way to know would be pictures from a glassmaker’s catalog. I haven’t seen any pictured in a catalog.

The only old picture I have seen is a ladies fashion plate picture dated 1839 in William Covill’s ink book.

Dates are unknown with a lot of disagreement. The ladies’ fashion picture in Covill’s book is from 1839 and shows a teakettle ink. A lot of todays “experts” say Teakettles date from the 1870’s to 1890’s. My thought is earlier because of Covill’s picture.

It looks like this design was made for at least 50 or more years from early 1830’s until 1885 or so

UPDATE: An avid teakettle collector, Joe Mathews, saw this post and sent me confirming information that teakettle inks were indeed made as early as the 1830’s in England by S. Mordan & Co. There are a number of ads by this company promoting the newly designed inkstand called the Fountain Inkstand. One from 1835 shows a picture and it is clearly what we call a teakettle. So with this new information, it looks like this design was made for at least 50 or more years from early 1830’s until 1885 or so. The ad is pictured below. No doubt other companies used similar inkstands, but this is the only ad I have found so far, other than in Covill’s book. This is from a publication printed in 1835 London.

1835 S. Mordan and Co., London Teakettle Advertisement

[Wikipedia] Sampson Mordan (1790 – 9 Apr 1843) was a British silversmith and a co-inventor of the first patented mechanical pencil. During his youth, he was an apprentice of the inventor and locksmith Joseph Bramah, who patented the first elastic ink reservoir for a fountain pen.

In 1822, Mordan and his co-inventor John Isaac Hawkins filed the first patent in Great Britain for a metal pencil with an internal mechanism for propelling the graphite “lead” shaft forward during use, as an improvement on the less complex leadholders that merely clutched the pencil lead to hold it into a single position.

Mordan bought out Hawkins and entered into a business partnership with Gabriel Riddle, an established stationer. From 1823 to 1837, they manufactured and sold silver mechanical pencils with the marking “SMGR”. After the partnership with Riddle dissolved, Mordan continued to sell his silver pencils as “S. Mordan & Co.”, adding many other types of silver and gold items to his product line. Mordan often made his pencils in whimsical “figural” shapes that resembled animals, Egyptian mummies, or other objects; like his other silverware and goldware, these pencils are now highly collectible. Upon Mordan’s death in 1843, his sons Sampson (junior) and Augustus inherited the firm. “S. Mordan & Co.” continued to make silverware until 1941, when their factory was destroyed by bombs during the London Blitz.

S. MORDAN and CO. LONDON Teakettle Ink – Antique Bottles and Inkwells

S. Mordan & Co. Patents and other Inventions – Sampson Mordan , London – 1843

S. Mordan & Co. Patents and other Inventions –  Sampson Mordan , London – 1843

Teakettle Inkwell Gallery

A stunning emerald green teakettle inkwell in octagonal form. The bottle stands 2″ tall and is 3.25″ long with a smooth ground lip. – eBay (xmaslights)

1860’s Hand Painted Milk Glass Teakettle Ink, 2 ½” tall by 2 ½“ across. Ground top. Bottle has some paint loss otherwise is in real good shape with no damage. – eBay (dug4you)

Cut Glass Teakettle Inkwell, (Badder’s #1, plate 246), European, possibly Middle East, ca. 1880 – 1910, cobalt blue, 8-sided with a highly ornate brass filigree surrounding all sides, top and pour spout, 2 5/8”h, polished pontil base, sheared and polished lip. Twelve ruby type jewels exist, six are located on the top of the ink, the other six on the mouth cover. Two tiny flakes are off the edge of the base, otherwise in perfect condition. In the past we have auctioned several of these teakettles, but none had this very fancy filigree. John Hummer Collection. – Glass Works Auction #95

Teakettle Ink, (similar to Covill Fig. 1237), American, ca. 1880 -1895, green semi-opaque color, 2 3/8”h, smooth base, ground and polished lip, perfect condition.- Glass Works Auction #95

‘Beehive’ Form Teakettle Ink, (Covill Fig. 1267), American, ca. 1875 – 1895, cobalt blue, 2 3.8”h, smooth base, rough sheared lip, original brass neck ring and hinged cap, perfect condition. A scarce teakettle in a highly desirable, attractive, form! – Glass Works Auction #95

Teakettle Ink, (Covill Fig. 1285), American, ca. 1875 – 1895, deep amethyst barrel form, 2 1/8”h, smooth base, sheared and ground lip, original copper neck ring and hinged cap, perfect condition. Here’s a true American made teakettle ink, in a scarce color! – Glass Works Auction #95

Read More: Looking at Labeled Carter’s Cone Inks

Read More: Small Inkwell Bottles Page

Read More: Umbrella Inks in the News

Read More: Hinks Inks – Post 1 “This Guy collects Labeled Inks”

Read More: Hinks Inks – Post 3 “Carter’s Ink Company”

Read More: Hinks Inks – Post 2 “John hINKel”

Read More: The “Star of Baltimore”

Posted in Advertising, Collectors & Collections, Figural Bottles, History, Inks, Questions | Tagged , , , , , , , , , | Leave a comment

Historic photos of saloons and breweries around Utah in the Wild West days

UTAH in the WILD WEST DAYS

Some great Utah Saloon and Bar scene photographs from the Utah Historical Society. Post inspired by Tom Doligale.

The Combination 

Ole Elliott’s, The Combination Saloon in Utah, late 1800s. Corrine, Utah. Courtesy of the Utah Historical Society (Tom Doligale posted this picture on my PRG facebook page inspiring a little research and more pictures)

The Combination, a billiards hall and saloon in Corrine, Utah around 1900. Courtesy of the Utah Historical Society

Main Street in Bingham, Utah

Main Street lined with bars in Bingham, Utah around 1900. Courtesy of the Utah Historical Society

Staged Gambling

A staged gambling hall and saloon scene in the late 1800s. Courtesy of the Utah Historical Society

Salt Palace Bar

Salt Palace Bar with John F. Heath. Courtesy of the Utah Historical Society

Sam DeAngelas Saloon

Typical bar scene in early days of Park City at Sam DeAngelas Saloon. Courtesy of the Utah Historical Society

U.P. Saloon

The U.P. Saloon in Murray, Utah 1906. Salt Lake Tribune archives

Alta Bar

Stage bound for Salt Lake outside the Alta Bar in Alta, Utah, 1904. Courtesy of the Utah Historical Society

Forbes and Melich Saloon

Forbes and Melich (Serbians) Saloon in Bingham, Utah around 1900. Courtesy of the Utah Historical Society

White Elephant Saloon

Men gambling at the Faro table at the White Elephant Saloon in Bingham, Utah, 1906. Courtesy of the Utah Historical Society

The California Bar and Italian Boarding House

The California Bar and Italian boarding house in Bingham, Utah around 1900. Courtesy of the Utah Historical Society

The Balkan Bar and Restaurant

The Balkan Bar and Restaurant in Bingham, Utah around 1900. Courtesy of the Utah Historical Society

Stewart and Osborne Saloon

Stewart and Osborne Saloon at 13 E. 200 South in Salt Lake City, 1909. Courtesy of the Utah Historical Society

Soldier Summit Saloon

Soldier Summit Saloon, late 1800s. Courtesy of the Utah Historical Society

Harry Longbaugh (The Sundance Kid) and Butch Cassidy.

This is the saloon that was the hangout of The Wild Bunch in 1889. The man standing beside the tree is Harry Longbaugh (The Sundance Kid) and the man sitting on the chair beside him is Butch Cassidy. Courtesy of the Utah Historical Society

Huntington Saloon

Huntington Saloon, Huntington, Utah. The lines in the photo are from cracks in the original glass negative. Courtesy of the Utah Historical Society

Horseshoe Liquor Company

Horseshoe Liquor Company wagon in front of the Good Luck Bar in Salt Lake, 1917. Courtesy of the Utah Historical Society

Jacob Alt’s Saloon

Jacob Alt’s Saloon on 109 S. Main St. in Salt Lake City, 1898. Courtesy of the Utah Historical Society

Salt Lake Brewing Company

Salt Lake Brewing Company auto truck in 1912. Courtesy of the Utah Historical Society

Fisher Brewery

Bottling machine at Fisher Brewery in 1914. Courtesy of the Utah Historical Society

Wagener Truck

Wagener Truck with barrels outside the brewery in 1914. Courtesy of the Utah Historical Society

Wagener Trucks

Wagener Brewing Company with decorated trucks in 1913. Courtesy of the Utah Historical Society

Lagoon Resort

Interior shot of the bar at Lagoon Resort. Undated. Courtesy of the Utah Historical Society

Read More: Glass Works and Glass Factories – Hell on Earth?

Read More: Boys in Glass Houses – Taking on the Mannerisms of Men

Read More: Photographs of People Drinking

Read More: Photographs and Images of People Drinking – Part II

Read More: Photographs and Images of People Drinking – Part III

Read More: Photographs and Images of People Drinking – Part IV (Brewing)

Read More: United States in the 1800′s and early 1900′s

Read More: How we Transported our Goods, Beer and Liquor Back Then

Read More: Saloons and Establishments from Yesteryear

Posted in Ales & Ciders, Bottling Works, Breweriana, Ephemera, History, Humor - Lighter Side, Photography, Whiskey | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Montana Bottle Collectors Assoc. meets in Virginia City at the Bale of Hay Saloon

[incoming from James Campiglia] *Get a load of the RV parked behind them!

Montana Bottle Collectors Assoc. meets in Virginia City at the Bale of Hay Saloon.

We had our officers meeting on Sunday the 26th of August. We all remained with the same positions. Ray Thompson, President, James Campiglia, Vice President and Show Chairman. Erich Weber was not present but will remain as the Secretary/Treasurer.

We had a fun time with one local enjoying learning about bottles and listening to us and plans to join the club later. Others stopped by to glance at some of the dug bottles and others we were showing.

We all dug for nearly a week in Virginia City on the property right out of the city limits across from Alder Gulch where all the mining took place going back to the early 1860’s. We only found one outhouse and the big bone pit dump that must of been a creek or stream at one time where the water would rise and fall and the artifacts became cemented together with clay surroundings. There’s still more land to image and hope to find more but we also have other pending projects, digs, to move onto.

Bottles found: 
seven, Kennedy’s East India Bitters, square, clear, 1880’s and five broken or damaged, Mrs. Winslow’s Soothing Syrup with a rolled lip but no pontil. Chinese marked small brass tins, perhaps Opium. Many Chinese shards and a big crock to be put back together. A few black glass ales, one Chinese with different shoulders.

Other artifacts found: Many old buttons, lots of old iron and horseshoes and miners shovels and picks very worn out.

Thanks,
James
http://www.jameschips.com
http://www.outhousepatrol.com/

Posted in Club News, Collectors & Collections, Digging and Finding, History, News | Tagged , , , , , | Leave a comment

Swirls, Whirls, Twists & Twirls

The cover of the September 2012 issue of Antique Bottle & Glass Collector proudly displays Dwayne’s glass as the feature art. – photo Ralph & Janet Finch

“Swirls, Whirls, Twists & Twirls”

D I S P L A Y    S E R I E S


Dwayne Anthony won the Most Educational Award at the FOHBC 2012 Reno Expo with his outstanding “Swirls, Whirls, Twists & Twirls” display. This was one of the most exciting displays I have ever seen. A bit challenging to photograph, I have assembled a group of great photohgraphs that the FOHBC professional  photographer, Scott Selenak took unless otherwise noted. Way to go Dwayne.

More FOHBC Reno EXPO Show Posts:

Read More: The Barns Miniature Bottle Display

Read More: E.G. Booz and North American Log Cabins Too!

Read More: EC&M Insulator Display at the FOHBC 2012 Reno Expo

Read More: Cigar & Tobacco Jar Display at the Reno Expo

Read More: W.H. Hutchinson Display – Reno Expo

Dwayne Anthony standing in front of his display. Notice that the lights are out on the lower light box as to let the camera capture best Dwayne and the ribbon.

Dwayne’s Bio from his National Insulator Association (NIA) page.

I began my insulator collecting career in 1985. My first major insulator show was the 1987 Fresno National, hosted by Mike Guthrie. I walked away from that show completely dumbfounded — one insulator had a shocking price tag of $1,500! It’s amazing how time and the popularity of this hobby have since shattered that record many times over.

I currently hold about 300 insulators in my collection, which are all on display. I primarily collect early telegraph threaded color and dramatic, junky UFOs (unbelievable foreign objects) found in glass insulators. This includes, but is not limited to: coins, nails, fish hooks, bottle caps, rocks, wire, unusual heavy swirls and huge bubbles or masses of bubblesójust about anything highly unusual. Other specialties include colorful lightning rod and radio strain insulators.

I served as the National Insulator Association President for the two-year term of 1992-94. I hosted the 1995 NIA Western Regional Show in Visalia, CA, and co-hosted the 1996 NIA National Show in Long Beach, CA. In the spring of 1995 I released my first edition of The Collectors’ Color Catalog of Desirable Insulators, a consignment-based insulator auction service. My wife, Ofelia, has since collaborated with me on this endeavor, and our auction is now offered under the title of Open-Wire Insulator Services. We currently present our auctions in both Internet and hardcopy catalog form. This is a part-time sideline business for us and we enjoy it mostly for the friendships it establishes with other collectors. I am also involved in an ongoing educational and awareness project that provides documentation materials and color altered insulator samples for public educational purposes, for which I proudly received the National Insulator Association’s 1998 Outstanding Service Award, which in turn partially led to the NIA Lifetime Membership Award in 2004. I enjoy traveling to insulator shows and have thus far attended 20 NIA National Shows across the country.

My wife and I jointly collect antique poison bottles, colored fruit jars and juice reamers. I also collect gemstones (with a fondness for tourmaline), fossils, mineral specimens and have a collection of personally formed and hand polished gem quality spheres, ranging from two to nine inches in diameter. I also have an extensive, historic collection of early (1870’s-1910) embossed bottles from the local area. I collect colorful antique bottles in just about all categories and enjoy an occasional bottle dig (but insulator hunts are my favorite). I also have an interest in growing exotic varieties of palms and cycads on our property, as well as fruit trees. With all of these interests I am often asked, ìWhich one is your all-time favorite?î With no hesitation I always instinctively reply, “INSULATORS!”

“Swirls, Whirls, Twists & Twirls” winning the “Most Educational” Ribbon. – Dwayne Anthony

Dwayne Anthony standing in front of his display. Notice that the lights are now turned on within the major display area. – photo Alan DeMaison (photo appeared in Bottles and Extras)

The Gallery


















Posted in Bottle Shows, Club News, Collectors & Collections, Color Runs, Flasks, FOHBC News, Insulators, News, Photography | Tagged , , , , , , , , , , | Leave a comment

H F & B = Holtz Freystedt & Brothers – New York

H F & B NY – Michael George

Anyone into crude PUCE colored sided embossed whiskey bottles?

Michael George posted a picture the other day on facebook (Antique Bottles for Sale) of an example of one of my favorite, non-bitters bottles. The H F & B New York. Mike described as follows:

[Michael George] Anyone into crude PUCE colored sided embossed whiskey bottles? Here is a nice one from NY. Lightly cleaned but has some light exterior wear, as well as a small burst bubble seen at lower left panel. GREAT COLOR and a SCARCE piece!! $1,375 plus shipping.


H F & B melon – photo Rod Walck

This prompted me to try to figure out what H F & B means. Here is what we have:

Holtz, 7 E. 20th St. (2004) – New York Signs

[New York Signs] Holtz was Christian P. F. Holtz (1827/28-?) born in Hamburg, Germany. His name often appears in the variant form, Christian F. Holtz, as well as in its Americanized form, Charles F. Holtz. He lived in Hoboken, New Jersey, where a city directory from 1859 lists: “Holtz C. F. Park Hotel, Hudson c. Fourth Hoboken.” He is described as working as a waiter in the U. S. Census of 1860, and in 1862 the Internal Revenue Service assessed taxes consisting of $30 for “Hotel 4th Class,” $20 for “Retail Liquor Dealer,” and $15 for 3 billiard tables. These businesses were located at 150 and 152 Hudson St., Hoboken. Trow’s New York City Directory of 1863 shows that he had by that time opened a “saloon/restaurant” on Duane St. in New York. Trow 1869 describes Christian F. Holtz as dealing in “Havana segars, champagnes, Bordeaux & Rhine wines.” This is a clear indication that he was running an import business for these products. And, in fact, in the U. S. Census of 1870 Holtz gave his occupation as wine merchant.

From around 1870 Holtz’s restaurant and wine importers were located at 95 Duane St. and 307 Broadway (two entrances to the same building). By the mid-1870s he acquired a partner, Henry Koennecke. City directories in the 1880s describe Holtz & Koennecke as “importers of wines, &c. sole agents for C. F. Eccardt, Creuznach, Rhine & Mosell wines, P. J. de Tenet & Ed. de Georges Bordeaux clarets, Bruch-Foucher & Co. Mareuil Sur Ay champagne, Rheus natural mineral water, Ofner R·kÛczy bitter water and D. H. Carstens Lubbeck canned vegetables, & c.” Then around the mid-1880s this partnership dissolved, and Holtz took a new partner, Bruno Freystedt. This created the long-lived business, Holtz & Freystedt, which tended to be the name used for the import business. The name Holtz was retained for the restaurant, and in 1896 a second Holtz Restaurant was opened at 365-367 Broadway on the northwest corner of Franklin St.

Christian Holtz’s name disappears from city directories after 1894, and in 1896 the New York Times reported a new incorporation: “Holtz & Freystedt Company of New-York City, to deal in wines and liquors, rectify liquors, and to keep and erect or operate hotels; capital $100,000.” The directors were Bruno Freystedt, Ernest Harbers, and Amandus Mayer of Hoboken, N. J. and Paul Freystedt and Charles W. Folden of New York. In 1902 the New York Times reported that Mrs. James J. Coogan had sold the 6-story building at 604 to 608 Broadway on the southeast corner of Houston St. to the Holtz & Freystedt Co, who “will occupy the lower floors as a restaurant.” This third Holtz Restaurant was the victim of a destructive fire in 1904, but was back in business a year later.

Trow 1909 is the first to list the Holtz Restaurant at 7 E. 20th St. Plans for a new 12-story brick and stone loft building at that address were filed with the New York City Dept. of Buildings in that year. The owner was Philip Braender, 143 W. 125th St., and the architect was William C. Frohne, 26 E. 21st St. A Holtz Restaurant seems to have operated here from approx. 1909 to 1913. After 1913, listings indicate the building was used for Holtz & Freystedt offices but not for a restaurant. The Holtz Restaurant at 365 Broadway continued to operate until around 1940. The Times reported in April, 1940, that the 6-story building at the northwest corner of Broadway and Franklin had been sold and that the ground floor had been occupied by Holtz Restaurant since 1895. In 1942 the obituary for Eugene J. Mentzel, former proprietor of Holtz’s Restaurant at 365 Broadway, states that the restaurant had closed “two years ago.”

This advertisement for Holtz & Freystadt from 1915 gives the two Broadway addresses (corner Frankin St. and corner Houston St.) for Holtz restaurants.

Other than Bruno Freystedt, two other Freystedts were involved in the business. These were Paul Freystedt (1858-?) and Walter William Freystedt (b. 24 Feb. 1887, Hoboken, N. J.). Paul Freystedt was possibly Bruno’s brother, and Walter W. Freystedt was Bruno’s son. Paul Freystedt is first mentioned in the 1896 new incorporation. He appears in the 1900 U. S. Census (born Germany, immigrated 1880) living in the Bronx. He was president of Holtz & Freystedt until 1910, later became a vice-president, but in the 1920 Census gave his occupation as “None.” Walter W. Freystedt was president of Holtz & Freystedt from 1912 to 1915, but in 1917 registered for the World War I draft when employed as a salesman for the Mutual Tire & Rubber Co. of New York.


H F & B N.Y., Deep Cherry Puce or Claret, Circa 1860’s, Superb and rare deep cherry puce or claret vertical ribbed melon with seal in the shape of a shield “H.F.&B – N.Y.” Bulbous neck. American ca. 1860’s. Early smooth base, applied double tapered top. Super rare and pretty. 14 broad vertical ribs. Bottles and More Galleria XXVII Lot #82, April 2009. Meyer purchase.

H F & B NY melon – photo Ferdinand Meyer V

H F & B NY melon – photo Ferdinand Meyer V


H F & B N.Y. Deep Cherry Puce or Claret, Near Perfect, Circa 1860’s, Super deep cherry puce or claret 6 sided with seal “H.F.& B. – N.Y.” American ca. 1860’s. Early smooth base, applied double taper top. Crude with a crooked neck. 2 rings on neck. Hammered with whittle and with zillions of seedy bubbles. This bottle explodes with color and crudity and looks like stained glass. Incredible eye candy. Attribute this bottle to Holtz & Freystedt with the B standing for Brothers. Rod Walck, May 2009. Meyer purchase.

H F & B NY – Meyer Collection

H F & B NY – Meyer Collection


Handled jug, “THE HOLTZ & FREYSTEDT CO / R & W / INC. / N.Y. on base. Amber, 9 1/4” high, hand tooled lip, applied handle, numerous bubbles in the glass. Rare – sold by GreatAntiqueBottles.com

Handled jug, “THE HOLTZ & FREYSTEDT CO / R & W / INC. / N.Y. on base. Amber, 9 1/4” high, hand tooled lip, applied handle, numerous bubbles in the glass. Rare – sold by GreatAntiqueBottles.com

Posted in Collectors & Collections, Facebook, History, Spirits, Uncategorized, Whiskey, Wine & Champagne | Tagged , , , , , , , , , , , , , | Leave a comment

Saloons and Establishments from Yesteryear

Ketcham | Yesteryear Gallery

Steve Ketcham
Early American Bottles, Advertising, and Stoneware
www.antiquebottledepot.com

Saloons and Establishments from Yesteryear

01 September 2012

Apple-Touch-IconAPresenting the fifth gallery of vintage pictures from up North as new material has come in from Steve Ketcham. This is a continuation of many other historical picture posts (see bottom of this page). Just love looking at these pictures.

The reverse of this photo says it was taken at a Minnesota dental convention in 1923 (Yes, that’s three years after Prohibition took effect!). – Steve Ketcham

Gluek was a Minneapolis brewery, Menglekoch dealt in liquor in Minneapolis. – Steve Ketcham

Same saloon as pictured further below. – Steve Ketcham

Nice corner sign for Blatz, Milwaukee to the right. – Steve Ketcham

Interior view of a fancier saloon than most. – Steve Ketcham

Barber shop wth bottles on the counter and mugs in the rack. – Steve Ketcham

Somewhere in Minnesota, circa 1950 – 1960. – Steve Ketcham

We have no history for this fun photo, but when we found it we were quite happy. We do know it is signed “Marshall Photo Racine (Wisconsin) 09. – Steve Ketcham

Here is one very dapper customer. Note the “free lunch” on the tables. – Steve Ketcham

This same salon is pictured in another photo within this collection. – Steve Ketcham

Gathering for a cup of Christmas cheer! – Steve Ketcham

A Lansing, Michigan, pre-Prohibition liquor store. – Steve Ketcham

While brewers and bottlers large and small were once fond of publishing images of the exteriors of their establishments, often exaggerating their size in the process, the interiors of those buildings were less accessible to the public eye. This image was found in Saugerties, New York, last fall. It depicts a bottling operation which may be that of J. B. Lambert of Woonsocket, Rhode Island. We offer as evidence two marked wooden bottle cases, one at lower right and another behind the lanky chap in the middle of the room. Whether the photo depicts the Lambert facility or not, it is a nice glimpse of just what a bottling operation might have looked like before automation took over the process of cleaning and filling the bottles with product. The fellow at left is operating a filling machine. Most likely the product is beer which is flowing from the keg behind him. As suggested by the two pieces of advertising on the wall behind the filler, the brew may have been either Pabst beer or Hanley’s ale. We are not too familiar with the Hanley’s advertising sign, but the Pabst sign is a framed, convex, multi-colored, reverse-on-glass piece that would inspire great desire in the heart of many a breweriana collector. The bottles on the filler appear to be quarts. The three gents at right are working around the soaking tub and bottle washer. The wooden tub is filled to the brim with bottles being soaked to remove old labels. (The pile of refuse behind the middle fellow may be the remains of the soaked-off labels.) The bottles are then placed on a device where they are washed, rinsed, and allowed to dry. It appears the bottles are crown tops, and it seems there are numerous crown caps scattered about on the floor beneath the tub. That the crew members are standing on pallets suggests the room was often damp. In fact, the water on the floor next to the tub is sufficient to reflect portions of the room. We checked with Hutchinson soda expert and FOHBC Hall of Famer Ron Fowler to be sure there were no rare Rhode Island hutch sodas hiding in the photo. Ron told us, “We have 12 different Hutchinsons catalogued for Rhode Island bottlers. All 12 are classified as Rare (1-10 known). This total includes one each for East Providence, Narragansett, Nasonville, and Newport, six for Providence, and two from Westerly. We have no knowledge of any Hutchinsons from Woonsocket, or of any RI bottlers by the name of Lambert.” Our thanks to Ron for this information and for helping us identify the bottling apparatus and its uses. – Steve Ketcham

Once a saloon, now a lunch counter. Notice the pies! One remnant of the wet days gone by is the whiskey ad above the chef’s head. – Steve Ketcham

Taken at a Minnesota state Elks convention in Bemidji. Note the words “Sample Room” on the window. – Steve Ketcham

What do you bet they served a lot of wild game here? – Steve Ketcham

Same pool hall as above, ame proprietor in both images. These sad-looking fellows clearly need a nip to put smiles back on their faces. – Steve Ketcham

This image was likely taken after Prohibition was enacted. Not much to offer the customer without the beer and the booze! – Steve Ketcham

We found this image, already framed, during the final hours of a Minneapolis estate sale several years back. It was lying on the floor, face down, and the wording “Employees of the Illinois Glass Company – 1875,” printed on the reverse, caught our eye. This company was formed in Alton, Illinois, in 1873. – Steve Ketcham

Employees of the Minnesota Stoneware Co. of Red Wing, Minnesota. Minnesota Stoneware was in business from 1883 until 1906 when it merged with Red Wing Stoneware Co. to form the Union Stoneware Co. – Steve Ketcham

At first we did not notice that we owned two different images of the same drug store, clearly taken at different times. Compare this photo with the one below it and notice what has changed and what has stayed the same. – Steve Ketcham

At first we did not notice that we owned two different images of the same drug store, clearly taken at different times. Compare this photo with the one above it and notice what has changed and what has stayed the same. – Steve Ketcham

Read More: Glass Works and Glass Factories – Hell on Earth?

Read More: Boys in Glass Houses – Taking on the Mannerisms of Men

Read More: Photographs of People Drinking

Read More: Photographs and Images of People Drinking – Part II

Read More: Photographs and Images of People Drinking – Part III

Read More: Photographs and Images of People Drinking – Part IV (Brewing)

Read More: United States in the 1800′s and early 1900′s

Read More: How we Transported our Goods, Beer and Liquor Back Then

Posted in Advertising, Ales & Ciders, Barber Bottles, Bitters, Breweriana, Collectors & Collections, Druggist & Drugstore, Ephemera, Hair Tonics, History, Photography, Pottery, Shaving Mugs, Spirits, Stoneware, Whiskey | Tagged , , , , , , , , , , , , , , , , , , , | Leave a comment

Galveston and the Civil War: An Island City in the Maelstrom

Exciting news from Jim Schmidt, my Houston celebrity friend, FOHBC member and historian extraordinaire. Jim joined our antique bottle and glass community ranks a year or so ago and brings major depth to the historical aspect of our collecting. This is yet another reason I am so excited about our growing membership for the FOHBC. Jim has been invaluable to me as a collector and consistently finds support material on Bitters bottles I am researching. His new book on Galveston and the Civil War is at the printer now so you can order by following the link below. I can not wait to get my signed copy!

On the eve of the Civil War, Galveston was a jewel of the Gulf Coast–a booming city with a fine natural harbor and all the commerce, culture and improvements that attended it. Galveston was also home to the largest slave market west of New Orleans and a hotbed of secessionist sentiment. Once the war started, Galveston became the focus of Union efforts to take Texas and Confederate efforts to defend it. Through the voice of its people, this lively book relates the interesting and important role the Island City played during the war, including the story of the Union naval blockade, the dramatic Battle of Galveston, Unionists, dreadful epidemics of yellow fever, the surrender of Galveston as the last major port still in Confederate hands and the bondage and liberation of the islands enslaved African Americans. Order Jim Schmidt’s new book.

About the Author

A chemist by education and profession, Jim Schmidt is currently employed as a pharmaceutical research scientist near Houston, Texas. Jim has had a lifelong interest in history and has written more than fifty articles for the Civil War News and North & South, World War II, Learning Through History and Chemical Heritage magazines and other publications. He is the author, editor or contributor to four other books on the American Civil War, including Notre Dame and the Civil War: Marching Onward to Victory (The History Press, 2010). He has given presentations on Civil War history to groups across the Midwest, South and mid-Atlantic. Jim Schmidt is a member of The Woodlands (TX) Civil War Round Table, the Galveston Historical Foundation and the Federation of Historical Bottle Collectors.

Biography

Hi! My name is Jim Schmidt and thanks for visiting my amazon.com Author Page! I am a chemist by training and profession and currently work for a biotech company near Houston, Texas. But by night (and by lunch!) I am a writer! I have always been interested in history, and have been especially interested in the Civil War for the past 20 years. My special interests are in Civil War medicine, Catholic chaplains and sister-nurses, and the intersection of business history and military history. I have been writing historical pieces for magazines and newspapers for about 15 years. My work has been published in *North & South*, *The Artilleryman*, *Learning Through History*, *World War II*, *Chemical Heritage*, and *Today’s Chemist* magazines. My column, “Medical Department,” has appeared regularly in *The Civil War News* since September 2000.

My books include “Notre Dame and the Civil War: Marching Onward to Victory” (2010), “Years of Change and Suffering: Modern Perspectives on Civil War Medicine” (2009), and “Lincoln’s Labels: America’s Best Known Brands and the Civil War” (2008).

I am currently researching and writing a new book on Galveston (TX) and the Civil War to be published in mid- to late-2012! You can learn more about my interests by visiting my “Civil War Medicine” or “Notre Dame in the Civil War” blogs or e-mailing me at schmidtjamesm@gmail.com.

Thank You!

Visit Civil War Medicine (and Writing)

Table center-piece display for Jim Schmidt of Civil War Medicine (and Writing). This was Jim’s first time to display at a bottle show. Jim has been instrumental in providing depth and research for obscure bottles in my collection.

Order Jims Books

Posted in Advice, Article Publications, Civil War, Collectors & Collections, Ephemera, FOHBC News, History, Medicines & Cures, News, Publications | Tagged , , , , , , , , , , , , , | Leave a comment