The big and robust Monongahela Rye Bitters

I did a post the other day on my Bromine – Union Salt Works bottle (read: Bromine – Union Salt Works – Gorgeous Allegheny City Bottle) which led me to Allegheny City which is now part of Pittsburgh on the Monongahela River. This reminded me of my Monongahela Rye Bitters. It is also not often that the word ‘Rye’ is incorporated in a Bitters brand name.

My particular example of this extremely rare bitters is a robust, big bottle that is yellow amber. It was found in an Ohio estate and is in perfect condition. It was purchased privately from Michael George a few years back prior to the Baltimore Antique Bottle Show. I’ve posted a few support pictures.

Monongahela Rye Bitters – Meyer Collection

M 120.5  MONONGAHELA RYE BITTERS

MONONGAHELA / RYE / BITTERS // c // // c //
Manufactured by Z. Toner & Company, Pittsburgh, Pennsylvania
10 4 1/4 x 2 1/2 (7 1/2)
Rounded corner, Rectangular, LTCR, Applied mouth, 1 sp, with and without
Metallic pontil mark, Amber and Green, Extremely rare

Note: Monongahela Valley Directory 1859. Amber pontiled example found in Pittsburgh in 1983. Dark green, smooth base piece dug in Harrisburg, Pennsylvania.

Monongahela Rye Bitters – Meyer Collection

MonongahelaRye_GW

“MONONGAHELA / RYE / BITTERS”, (M-120.5), Pennsylvania, ca. 1855 – 1865, yellowish ‘old’ amber, 9 3/4”h, smooth base, applied mouth. – Glass Works Auctions January 2013

A Map of the Country between Wills Creek & Monongahela River shewing the route and Encampments of the English Army in 1755. Braddock Expedition Papers.

The Navigator – 1811

Bridge over the Monongahela River, Pittsburgh, Pennsylvania, A river scene: Monongahela River, Pittsburgh, Pennsylvania. Shows steam ship “General Knox”, wharf operations, a steel superstructure bridge, and numerous smoke stacks. 21 February 1857, Appeared in the Feb 21, 1857 edition of Ballou’s Pictorial

Duquesne, PA. on the Monongahela River – circa 1857

Brookville, PA. on the Monongahela River – circa 1895

Wire mills spewing smoke along the Monongahela River, Donora, Pennsylvania, 1910

Posted in Bitters, Bottle Shows, Collectors & Collections, Ephemera, History | Tagged , , , , , | 2 Comments

Killer Hyatt’s Infallible Life Balsam on eBay

Now here is a killer bottle!

eBay Description: Extremely Rare Hyatt’s Infallible Life Balsam N-O. OP , NR

Extremely rare. Hyatt’s Infallible Life Balsam n-y. 10 1/8” – 3 1/8”. This is the larger size variant. Rectangular, Emerald green. Open pontil base. Sparkling mint condition. Circa 1850-1855. Although available in aqua and lighter shades of green, with iron pontil. This is the only known example in emerald green with an open pontil. There are two others known in yellow green with an open pontil.

Medflask, Wyoming, Pennsylvania (PRG: great dealer and eBayer. I have a number of bitters from this gent)

Link to listing

Posted in eBay, Medicines & Cures | Tagged , , , , , | 1 Comment

Didn’t realize that I possess a probable Stoddard Dr. Townsend’s

Dr. Townsend's Sarsaparilla Top Detail - Meyer Collection

With the recent posts on the earlier Dr. Townsend’s, I went back through my digital files to find a bottle that has been resting on a remote window shelf with other Dr. Townsend’s and related “non-bitters” bottles. This fellow was purchased on eBay in 2003 (I started bottle collecting in 2002). I guess I just liked the crudeness and cork. The description on eBay caught my attention too. Now based on information provided by other collectors, I realize where my bottle was probably blown. Now I just need to figure out why I have other pretty green Dr. Townsend’s I purchased from an Australian on eBay during the same period in 2003. Bet someone down under chimes in. Hope so.

Read: Embossed DR TOWNSEND’S SARSAPARILLA ALBANY N.Y. Sand Pontil 17 Rivets Dark Amber

Dr. Townsend's Sarsaparilla - Meyer Collection

DR. TOWNSEND’S SARSAPARILLA ALBANY N.Y. | A real early one with lots of great whittle. Truly an attic find. Came out of a barn this week with original Sarsaparilla remnants. Hand carved cork. Couple of tiny, shallow open bubbles, no harm. Sand chip pontil. Dan Austin on eBay in 2003.

Posted in Digging and Finding, Glass Companies & Works, Glass Makers, Sarsaparilla | Tagged , , , , | Leave a comment

Stoddard Glass – Updated Information from Michael George

Updated information provided by Michael George based on an exhibit he organized called “New Hampshire Glassmakers”. The Dr. Townsends bottle pictured in the post: Embossed DR TOWNSEND’S SARSAPARILLA ALBANY N.Y. Sand Pontil 17 Rivets Dark Amber is noted.

I thank Mike George for providing this information so quickly to replace a Wikipedia definition that needed updating. The update was suggested by Baltimore collector and digger Chris Rowell who I also thank. Information is power.

Stoddard Glass - picture by Michael George

Keene glassblower Joseph Foster purchased the molds and glass making tools of that town’s failed Marlboro Street bottle factory in 1842 and moved 15 miles northeast where he opened the first Stoddard glassworks. This began an industry that spanned 31 years and consisted of five factories in Stoddard. Three generations of the Foster family were among hundreds of employees of this industry which played an important economic role in this town of failing farms. These glass factories all produced common utilitarian bottles that were shipped to customers throughout New England and New York. Blowers at these factories also produced off-hand pieces that reflect the beauty and artistry of the glassblower’s trade.

Joseph Foster built a stone furnace near the village of South Stoddard. The operation was plagued by financial difficulties and closed after only two years in business. Joseph was not defeated, however, and soon built a new factory 400 yards from the first and commenced manufacture once again. This second factory was more successful, producing thousands of small green and amber medicine bottles, crude sarsaparilla bottles for Dr. Townsend of Albany, NY, and cornucopia and basket of fruit flasks. Foster’s economic difficulties returned, due partly to the expense of shipping his products to distant buyers, and this second glasshouse closed in 1850.

By this time, however, another larger and better financed glass company had opened in Stoddard’s Mill Village, four miles to the north. The Granite Glass Company was founded in 1846 by partners Gilman Scripture, John Whiton and Calvin Curtice. The 1850 New Hampshire manufacturing census reported that this firm had eight furnaces, 38 employees and produced 500,000 bottles that year. The company made many types of bottles, but was best known for its whiskey flasks and patent medicine bottles. Despite its success, the firm suffered from fire and transportation costs and changed hands twice after its incorporation. The Granite Glass Company closed for good in 1862 and burned again soon after.

The New Granite Glass Works opened nearby in Mill Village in 1861. The company was established by George W. Foster, son of Stoddard glass industry originator Joseph Foster. Three of George’s brothers also joined the firm, as did Joseph himself, who returned to the town to blow glass there. The firm made wines, inks, snuffs, demijohns, flasks, and medicines, but is probably best known for the extremely rare Stoddard Flag Flask, embossed on one side with an American flag and on the reverse with the words “New Granite Glass Works, Stoddard, N.H.” The Fosters sold the company to Boston liquor agent Charles B. Barrett in 1864. The factory came to a close when it burned to the ground in 1871.

The fifth and most successful Stoddard firm was the South Stoddard Glass Manufacturing Company, also known as Weeks & Gilson for the two most prominent owners of that firm, Luman Weeks and Frederick Gilson. This company was formed in South Stoddard in 1850 within sight of the factory operated in the village at that time by Joseph Foster. During its first year the firm boasted ten fires and 47 employees. The company made a wide variety of bottles, but thrived on the production of spring water bottles for the popular spas at Saratoga, New York and for mineral springs in Vermont, New Hampshire and Massachusetts. The Weeks & Gilson firm offered employment to hundreds of people during its 23 years in business. It was the last Stoddard glassworks to operate; the industry came to a close when Luman Weeks shuttered the factory in 1873.

The Stoddard glass industry survived for 31 years in the mid nineteenth century. Most of the glass produced there was dark in color, with amber and green being the most common hues. Dozens of skilled glassblowers worked around hot furnaces to produce millions of bottles that were shipped from Stoddard to markets across New England and beyond. The South Stoddard Glass Manufacturing Company alone produced 750,000 bottles during its very first year in business. Those bottles were sold for a total of $26,000. Luman Weeks and Frederick Gilson would be amazed to see a collector pay that much for a single Stoddard bottle today.

Posted in Advice, Flasks, Freeblown Glass, Glass Companies & Works, Glass Makers, Historical Flasks, History, Medicines & Cures, Mineral Water, Sarsaparilla, Utility Bottles | Tagged , , , , , , , , , , , , , | Leave a comment

RENO EXPO 2012 Antique Bottle and Collectible Show – Ad Spread

RENO EXPO 2012

New advertising spread as seen in the latest January-February issue of Bottles and Extras for the great FOHBC Reno Expo this coming July. This is the big one! Get your contracts and information at the FOHBC web site.




Posted in Advertising, Advice, Article Publications, Bottle Shows, Club News, FOHBC News, News, Publications | Tagged , , , , , | Leave a comment

Embossed DR TOWNSEND’S SARSAPARILLA ALBANY N.Y. Sand Pontil 17 Rivets Dark Amber

Don’t you love that ‘Pixie Star” shooting from the “S” in Townsend’s!

As I have had two (2) posts regarding Dr Townsend’s lately, Jeff Burkhardt (Froggy) turned me on to this killer Dr. Townsends Sarsaparilla that just sold on eBay yesterday. Only 1 bid for $2,000. The seller was jims_hidden_treasures from Phelps, New York. Jeff noted in a follow-up email that Mike George says probably Stoddard Glass. Man, I just love those rivets in the mold form. WOW.

eBay Description: You are buying a rare Embossed DR TOWNSEND’S SARSAPARILLA ALBANY N.Y. The bottle is 9 1/2″ tall with Applied sloping collar, oval topped panels and chamfered corners. Awesome Dark Amber with seed bubbles. Sand pontil base with a rare treatment that consists of (17)yes seventeen embossed circular rivets total on the four side panels. Bottls has no cracks or chips but does have 1/8″ thick hardened contents alone one side, buy it that way! see link: Embossed DR TOWNSEND’S SARSAPARILLA ALBANY N.Y. Sand Pontil 17 Rivets Dark Amber

Read Further: Dr. Townsend’s Sarsaparilla Albany, N.Y. iron pontiled (blue/green)


Stoddard (New Hampshire) glass*

* Wikipedia definition removed

Information provided by Michael George based on an exhibit he organized called “New Hampshire Glassmakers”. The Dr. Townsend bottle pictured above is mentioned. See New Information: Stoddard Glass – Updated Information from Michael George

Keene glassblower Joseph Foster purchased the molds and glass making tools of that town’s failed Marlboro Street bottle factory in 1842 and moved 15 miles northeast where he opened the first Stoddard glassworks. This began an industry that spanned 31 years and consisted of five factories in Stoddard. Three generations of the Foster family were among hundreds of employees of this industry which played an important economic role in this town of failing farms. These glass factories all produced common utilitarian bottles that were shipped to customers throughout New England and New York. Blowers at these factories also produced off-hand pieces that reflect the beauty and artistry of the glassblower’s trade.

Joseph Foster built a stone furnace near the village of South Stoddard. The operation was plagued by financial difficulties and closed after only two years in business. Joseph was not defeated, however, and soon built a new factory 400 yards from the first and commenced manufacture once again. This second factory was more successful, producing thousands of small green and amber medicine bottles, crude sarsaparilla bottles for Dr. Townsend of Albany, NY, and cornucopia and basket of fruit flasks. Foster’s economic difficulties returned, due partly to the expense of shipping his products to distant buyers, and this second glasshouse closed in 1850.

By this time, however, another larger and better financed glass company had opened in Stoddard’s Mill Village, four miles to the north. The Granite Glass Company was founded in 1846 by partners Gilman Scripture, John Whiton and Calvin Curtice. The 1850 New Hampshire manufacturing census reported that this firm had eight furnaces, 38 employees and produced 500,000 bottles that year. The company made many types of bottles, but was best known for its whiskey flasks and patent medicine bottles. Despite its success, the firm suffered from fire and transportation costs and changed hands twice after its incorporation. The Granite Glass Company closed for good in 1862 and burned again soon after.

The New Granite Glass Works opened nearby in Mill Village in 1861. The company was established by George W. Foster, son of Stoddard glass industry originator Joseph Foster. Three of George’s brothers also joined the firm, as did Joseph himself, who returned to the town to blow glass there. The firm made wines, inks, snuffs, demijohns, flasks, and medicines, but is probably best known for the extremely rare Stoddard Flag Flask, embossed on one side with an American flag and on the reverse with the words “New Granite Glass Works, Stoddard, N.H.” The Fosters sold the company to Boston liquor agent Charles B. Barrett in 1864. The factory came to a close when it burned to the ground in 1871.

The fifth and most successful Stoddard firm was the South Stoddard Glass Manufacturing Company, also known as Weeks & Gilson for the two most prominent owners of that firm, Luman Weeks and Frederick Gilson. This company was formed in South Stoddard in 1850 within sight of the factory operated in the village at that time by Joseph Foster. During its first year the firm boasted ten fires and 47 employees. The company made a wide variety of bottles, but thrived on the production of spring water bottles for the popular spas at Saratoga, New York and for mineral springs in Vermont, New Hampshire and Massachusetts. The Weeks & Gilson firm offered employment to hundreds of people during its 23 years in business. It was the last Stoddard glassworks to operate; the industry came to a close when Luman Weeks shuttered the factory in 1873.

The Stoddard glass industry survived for 31 years in the mid nineteenth century. Most of the glass produced there was dark in color, with amber and green being the most common hues. Dozens of skilled glassblowers worked around hot furnaces to produce millions of bottles that were shipped from Stoddard to markets across New England and beyond. The South Stoddard Glass Manufacturing Company alone produced 750,000 bottles during its very first year in business. Those bottles were sold for a total of $26,000. Luman Weeks and Frederick Gilson would be amazed to see a collector pay that much for a single Stoddard bottle today.

Posted in Digging and Finding, eBay, Glass Companies & Works, Glass Makers, Sarsaparilla | Tagged , , , , , , , , , , | 2 Comments

The beautiful and triangular S (star) C Brown’s Herb Bitters

The beautiful and triangular S (star) C Brown’s Herb Bitters

11 January 2012

Apple-Touch-IconAMy continuing effort to document triangular bitters bottles leads us now to the extremely rare, S (star) C Brown’s Herb Bitters from Philadelphia. The Brown’s was an elusive and tough bottle for me to obtain. It was first offered to me by a bottle broker from the East Coast for big dollars and I foolishly passed because I was not familiar with the bottle (probably classified it in my mind as a three-sided square bitters – Ha!). Boy was I wrong. I was finally able to track the example down again after a Glass Works Auctions miss when I was the successful bidder in the American Bottle Auctions, Grapentine 1 | Auction 41 (Lot #170) in April 2007. My bottle was classified as near mint and is in superb condition with lots of whittle and crudity. It is also ex: Carlyn Ring (see sticker).

The Brown’s has been seen in amber (not by me). It was believed that there were only two (2) known examples in this stunning color shade. You can imagine my (and others) surprise when an example showed up in the recent Heckler Auction 95 | The Thomas McCandless Collection | Session II in October 2010. Estimated to sell from $10,000 – $20,000, the bottle sold for far less. Somebody really got a great bottle for a great price. Congratulations.

B 230 BROWN’S HERB BITTERS
Circa 1863 – 1875
S (star) C / BROWN’S // HERB BITTERS / PHILADA //
9 5/8 x 3 1/4 (7 1/2) 3/8
Triangular, Yellowish green, LTC, Applied mouth, Extremely rare

S (star) C Brown’s Herb Bitters – Meyer Collection

S (star) C Brown’s Herb Bitters – Meyer Collection

S (star) C Brown’s Herb Bitters – McCandless Heckler Auction

S (star) C Brown’s Herb Bitters – McCandless Heckler Auction – Catalog Back Cover

Read Further: Sanitarium Bitters & Hi Hi Bitters – No doubt what you are getting here!

Read Further: The triangular Hagan’s Dyspepsia Bitters – Atlantic City, New Jersey

Read Further: The Triangular O.H.P. Rose’s Peruvian King Bitters

Read Further: The extremely rare, triangular Wahoo Chamomile Bitters

Posted in Auction News, Bitters, Collectors & Collections | Tagged , , , , , , , | 4 Comments

Texas Window – Some Random Thoughts on a Gray Day

As I sit here in Alexandria, Louisiana after two (2) miserable, gray, rainy days (you may have heard about all of the rain Monday in Houston that followed me here), I post this picture that makes me feel better. There is nothing like glass and natural light to fuel your passion and to make you content.

Yeah, I know some of you are thinking that this is inexpensive glass, it is not historical, it isn’t a flask or medicine but that doesn’t matter to me now, at this moment. We can do and talk about the classic glass later. You really do not need a lot of money to appreciate and collect glass either. This is about the emotions and feelings that glass instills in us. I am just a glass nut. This may sound really crazy but sometimes I find myself staring at ice cubes in a glass filled with cola and momentarily being captured by the brilliant amber and aqua coloration’s, reflections and movement. I then start thinking about my Bitters bottles in my windows. Chain reaction. Get me a straight jacket and lock me up. More than once I’ve heard collectors say, “When I die, God willing, I want to be looking at my glass”.

Look at this Texas window. A picture I post just as an example. It makes me wonder so many things like…is the window open? is there a breeze? Could there be a storm on the horizon? Is it in Tornado Alley? What is this room? Is it a bedroom? What is happening in the room? what time is it?, why are there lace curtains?, is it a women’s room? Is someone taking a nap? On and on. I then feel at peace. All this happens quickly in our minds of course, but this just goes to show you the power of glass.

I wrote about this before in the FOHBC Bottles and Extras. My first cosmic glass experiences were sitting in Roland Park Presbyterian Church in Baltimore during the long sermons as a child and being captivated by the greatness and majesty of the stained glass windows and the movement of the sunlight and clouds beyond. Power and direction for life.

Read: Glass Passion and Color Part I : Life Transformation

Read related post: Glass Artiste – Carlos Morales

Read related post: Pictures at an Exhibition – Noordsy Gallery

Read related post: A Nice Group of Pictures from a Collector in Ft. Collins, Colorado

Posted in Article Publications, Collectors & Collections, Cologne, FOHBC News, Humor - Lighter Side, Peachridge Glass, Perfume, Photography, Stained Glass | Tagged , , , , , , , , , | Leave a comment

Unique New Book Surveys Glass Industry In West Virginia by Dean Six

In from Bill Clements:

There has never been an effort to take a broad, comprehensive look at West Virginia’s rich heritage of glass production. All that changes with the publication by Quarrier Press of the 20 plus years in the making WEST VIRGINIA GLASS TOWNS. At nearly 200 pages and filled with hundreds of images this is the first ever look at the expansive glass industry in the state.

Over 450 companies and locations have produced hot glass since the first glass was produced in Wellsburg in the second decade of the 19th century. West Virginia Glass Towns provides a town by town list of the glass producing concerns giving dates, product lines and then offers a plethora of photos of glass factories, glass workers, maps, advertisements and much more. The book is a richly textured history using period images to tell the story of what has been a significant industry in the state, an industry that employed tens of thousands of men and women over the nearly two centuries of activity.

The books spans communities from Alum Bridge to Williamstown with significant chapters on know glass communities like Clarksburg, Fairmont, Huntington, Morgantown, Wellsburg, Weston and Wheeling. Also addressed are the numerous factories and glass producers in lesser recognized glass towns such as Cameron, Dunbar, Grafton, Mannington, Parkersburg, Pennsboro and Star City to name but a few.

Fifty-two communities, from larger cities to small towns, are included in the historic and long needed survey of the mountain state glass industry. A brief introductory essay by author Dean Six explains why glass as an industry was prolific in West Virginia and addresses the numbers of factories during the period of phenomenal growth in the early 20th century.

Factories in the state produced flat or window glass, bottles and fruit jars, tableware, glass novelties and a wide range of other glass products, spanning almost the entire spectrum of products made in glass. Factories along the Ohio River began decades before the American Civil War and as of early 2012 there remain 16 hot glass producers active in West Virginia. Many of these are small studio factories producing art glass and one of a kind objects.

This monumental document is the first ever look at the diverse, long lived and major employer in the state.

The book retails for $29.95 and can be found at local bookstores, or through the West Virginia Book Company at 888-982-7472, or www.wvbookco.com

Below  is an interview conducted with author Dean Six:

Why is the book important?

This book is important because it tells for the first time the scope and some measure of how really big and important glass has been as a part of the West Virginia story. Nothing before this research even hinted at the size of the glass industry in our state. It is new, exciting and an amazingly big history lesson.

What is the significance of glass making and the glass industry in West Virginia?

Glass has a major role in our state history for the sheer size of the industry. Several larger plants employed 1,000 and 2,000 plus employees. The economic impact over decades was immense. Glass also has given us a bragging point. For decades handmade West Virginia glass has held a place of esteem in decorative, artistic and design circles. We point to Blenko glass in the windows of the National Cathedral or Morgantown Glass on the tables of the Kennedy Whitehouse with pride. In a state where our toils often go unnoticed, to be able to point to a thing we created, a thing of beauty appreciated by others, is a major boost to our collective identity and confidence.

What are some of the more interesting facts from the book?

The sheer volume of hot glass producers in the past 200 years in West Virginia is staggeringly cool. I have documented 459 hot glass makers in West Virginia. When I began this project I started with a list someone else had compiled and it had a little over 100 glass makers. That seemed like a large number, but with each passing year that number grew. Today that 450 plus number yet amazes me. I also find the number of factories in some towns not usually associated with glass to be interesting facts. Parkersburg has been home to 14 glass makers, Mannington has hosted ten. Even locations as far out of the usual glass producing area like Martinsburg and Keyser have had large glass manufacturers. The number and the distribution never cease to intrigue me.

What picture or image is your favorite in the book?

My favorite images are the child labor photos shot around 1908 in several West Virginia towns. Shot to document how young the boys were who worked in glass houses (as young as 8 or 9) and how rough the working conditions were, these timeless photos seem so strong in character. They are my favorites.

What would people with no particular interest or knowledge in glass find of interest in the book?

This is a story about people and history, who cannot find some passing interest in the telling of our own story? The glass is not the focus of the book. There are no actual photos of glass in the entire book. There are parade floats, ball players, Labor Day parades. I think the story is one of how and where we lived, worked and interacted. It is about who we were and are as West Virginians.

How long did it take to write the book?

Over 20 years were spent on chasing the pieces that come together as this book. At one point it was a proposed graduate school topic but academicians were not interested in the topic. Professors, when interested at all, urged me to look at labor issues within the glass industry or to approach it as economics. To me this flattened and dulled the vibrant people, the hot roaring fires and the lure that is glass. I sat in coffee shops in Lumberport and listened to stories of families who had been glass workers, I attended Belgian picnics in Nutter Fort, and I spent hours looking at old newspapers, city directories and courthouse records. It was a statewide snipe hunt at times.

What was the most rewarding thing that happened to you writing the book?

The people. Meeting so many intriguing and vibrant West Virginians. I listened to glass workers, the families of glass workers and literally hundreds of people who wished to relate their experiences and life stories. It is worth noting that many of those I listened to 20 and more years ago are no longer here to see the final product or to elaborate on their stories. I was asking just in the knick of time to catch many of the wonderful tales and reminiscences. I also enjoyed traveling the glass regions of the state. Looking at a parking lot that was pre-civil war glass factories in Ceredo or trying to see a hillside in Wheeling as a 19th century glass factory, where there is now a four lane highway. It was an excellent adventure to try to see what I could identify as being there a century or more ago.

What will this book offer to the average reader?

A sense of the significant role West Virginia played in a major industrial realm. Glass Towns tells and shows a once massive industry that employed thousands but now risks being lost. Here are images of pipe smoking Belgians, massive industrial complexes and small artistic ventures strung across West Virginia. For many of us it will give a new dimension to the towns we grew up in and near.  Who would ever guess Belmont, New Cumberland, St. Albans, Elizabeth, Hurricane or Kingwood was once the site of a glass factory?

Why has a book like this not been written before? How did you find all the stuff that is in the book?

The book was not written before because the pieces were so many and so scattered. No one had any sense of how really large this story was, how many towns or people it touched. Had I known it would take 20 years I might have been less willing to undertake it as well. There has never been any attempt to address the glass industry because it is a story with little conflict, unlike the union battles and huge money that has and does encase the history of coal. I cannot say it was not of interest to people, it was and is. Just no one had any idea how to start the research. The advent of computers has aided my ability to do this work as well.

I discovered the thousands of small snippets that make up the big story by traveling back and forth across WV. By asking, then listening to hundreds of people. I did courthouse records room searches, read old copies of local county newspapers, and I followed all the leads that came to me. It took a long time.

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Dr. Townsends Sarsaparilla Albany, N.Y. iron pontiled (blue/green)

Watching this stunning example of a Dr. Townsends Sarsaparilla on eBay. Besides being beautiful glass, it has the killer pontil that is similar to the pontil I wrote about last night. That bottle was thought to be a Dr. Townsend’s also. dendirtyd is a strong eBayer with a 100% feedback that I can vouch for. The pictures are stunning and great examples of how a bottle should be represented on eBay.

(see: The Fancy Pontil and Fancy Cancel)

[eBay description] This is a very nice bottle embossed Dr. Townsends/ Sarsaparilla/Albany,N.Y. Color is blue/green and leaning more to the green side. I have placed it next too a quart scroll for color comparison. The bottle is iron pontiled and heavily whittled. Some light use type scratches.  No chips,cracks or dings. Postage is $12.00. Any overage in postage will be refunded in dollar amounts only. I have been collecting bottles for right at 40years and I’m a member of the FOHBC. Bid with confidence.If not satisfied with your item you can return it for a full refund less return postage. If I have grossly missed something then I will refund the return postage also. If you have any questions the best time to reach me is mornings,afternoons and early evenings sometimes. I will be listing some items in different catagories over the next several months. Thanks For Looking!

Posted in Advice, eBay, Sarsaparilla | Tagged , , , , , | Leave a comment